Mask composed from two pieces of wood nailed together at an angle and painted white with black hair, black eyebrows, circular eye holes outlined with an eye shape in black lines, a orange-red-tipped nose, orange-red lips, and three red crescent shapes either side of the nose. A horizontal groove is cut into the chin.

Kulus mask (younger brother of Thunderbird). Mask has a curved upper and lower beak; the lower part of the beak is movable. Two plywood horns with curled ends attached at top of head. White feathers inserted into top of head. Blue beak with red nostrils, black eyebrows, and black, red and white horns.

Dzunuk'wa mask. Mask with ovoid-shaped, slightly flattened face, bushy eyebrows of bearskin, concave eye sockets, concave cheeks, concave temples, a sharply hooked nose, and a pursed mouth. Taces of red paint at the eyes and the mouth. There is a small hole on either side of the nose.

Carved wooden, crooked beak headdress, or mask. The beak has a large red, ovoid shaped nostrils outlined with two elongated red split u-forms behind it. Running from the brow is a large central frill that protrudes outward and curves inward to the centre tip of the beak and back into itself; detailed with black u-forms. The mouth is red, flat and protruding; jaw nailed shut. The face is black with white detailing; one black u-form behind the eye. The eyes are black, outlined in white and red on a white ovoid shaped ground; brow is black. The underside of the beak is black. The inside of the mask is hollow. Attached to the top are many bundles of small stripes of cedar bark; a braided cedar rope lines the top edge. Hanging from the back are long strips of cedar that would cover the wearer; a piece of fibre twine groups the long stripes together. There are a few tufts of eagle down in the cedar. The mask is painted black, white and red with Northwest Coast stylized forms.

Black, brown, white and red humanoid mask with round eyes, gill slits, a moustache and scale symbols around the mouth. Mask features a prominent brow ridge, protruding nose and open lips.

Mask with hooked recurved nose, flaring nostrils, pursed lips, and bulging eyes. Cedar bark and brown and off-white mottled feathers are attached to the top of the head, there are two tufts of cedar bark attached to the sides of the head, and there is a long cedar bark fringe attached at the back of the mask that extends down past the chin of the mask. The mask is painted white with heavy black brows that come to a point at the back of the mask, an orange nose with red nostrils, red lips, a black moustache with downturned curled ends, a red and brown design at the temples, and a brown and black scalloped design around the mouth. Green cord and strips of off-white fabric attached at back of mask.

Fish club with a long handle incised with vertical grooves. End of club is overall bulbous in shape and resembles the shape of a hand holding a rock. Painted white.

Thick ring with layers of shredded cedar bark encased in a covering of finely twisted cedar bark rope laid parallel and sewn together. Additional rectangular sections of the same rope material are sewn to the sides and the top of the ring. Attached to the top section is a carved and painted wooden, triangular tail piece. One side sash has a carved and painted wooden wing piece (the wing on the opposite side has broken off). Carved and painted wooden eagle head and an extra bundle of shredded cedar bark attached to the bottom so that it hangs down.

Wooden, carved, supernatural bird mask with a long beak and s-shaped cutout nostrils. The beak is hinged with pieces of rubber on either side, nailed to the lower mouth. The beak and nostrils are painted black with red edging. The eyes are white, outlined in black on a green, ovoid shaped background; brow is black. Tied to the top of the head are two pieces of wood that form a frame that holds the mask on when worn. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red, green and white with Northwest Coast stylized designs.

Wooden, carved figure depicting a chief being lifted by another man, probably a slave. The top figure has a painted face and body, and is wearing a headdring; all are painted red and black with Northwest Coast designs. The position of the body is standing with his right arm raised and his palm open. The left hand is under the other figure's chin. The lower figure is in a crouched position with his left knee bent under and his right knee bent up supporting the right leg of the upper man. The lower figure is holding the other figure's left foot in his left hand and the right is wrapped around the other's leg. The second figure's face has an open mouth and is painted with red and black imagery. (Figure now has its right arm in a raised position.)