Terracotta yellow and brown ewer with salt glaze technique on surface, straight tubular-spout with pouring lip and flaring base. Face decoration on neck with curved arms, one hand in cheek and front chevron band incised on surface. Modeled and molded technique. Not restored. Spanish form and style.

Contemporary terracotta pot. Pot is circular with a slightly rounded base. Body is squat, wide at the midpoint, shoulder narrowing toward the mouth. Two lug style handles sit on the shoulder. A small repeating design has been stamped into the clay and circles the pot in a line between the handles.

Terracotta pot. Body is bulbous with a rounded bottom, and two small lug handles on the shoulder. The neck inclines tightly toward the tall rim, which flares widely upwards. The pot is burnished on the exterior, black on bottom and dark orange toward the top, with no other decoration.

Gift of Dr. John H. Finney

Staff made of a solid piece of rounded wood, tapering slightly toward the bottom. A silver grip crowns the top of the staff and is decorated with incised designs of plants, trees, and lines. Several narrow silver bands encircle the staff, some with incised linear decoration. A thick, braided silver wire criss-crosses down the length of the staff with a silver cross dangling at its end. The bottom of the stick is encased in a sheet of undecorated metal that narrows to a sharp tip.

Brown clay whistle with six figures playing instruments. The figures alternate between ones wearing brown, wide-rimmed hats and white coats with brown pockets with figures wearing white caps with brown geometric patterns and red coats with white pockets. All of the figures have dark brown eyes and wear dark brown shoes and maroon pants. The white patterning on the knees of the pants alternates between swag shapes and cross hatching. Two figures play brown pipes, the other four play flesh-coloured instruments including cymbals, a drum and a pipe. There are square holes in the back of all of the necks and a small circular hole in the base in one corner.

Brown clay whistle with three figures playing instruments. The two outer figures wear white caps with brown tips and the central figure wears a brown hat with a wide brim. The figure on the left has a red coat with white pockets and plays a long triangular brown pipe. The figure in the centre wears a white coat with brown pockets and plays a flesh-coloured pipe. The figure on the right has a brown coat with white pockets and plays a short flesh-coloured pipe. All three figures have maroon pants and dark brown socks. They similarly all have brown skin, dark brown eyes and puffed cheeks. Each has a small square hole in the back of the neck and there is a small circular hole in the base.

Small, square, stone carving of a farm. Lining the two adjacent edges are eleven animals facing outwards. The other two edges have raised rectangles representative of buildings. They have sloped, ridged roofs and rectangular doors facing the empty central courtyard area of the sculpture. The bottom edges on all sides are decorated with linear designs.

Small, rectangular stone carving of a farm. There are five animals facing outwards along one edge. At the back there are three raised rectangles and two raised squares arranged in a U formation. The squares are positioned in the corners with the rectangular buildings along the three edges. The rectangles have sloped, ridged roof-like tops.

Small altar in a cardboard shadowbox with a gold frame. Small framed 3D composite image of the "Virgen de la Candelaria" in a decorated archway with flowers surrounding; cut electrical wire at back. There is a small plastic red light bulb in the box, connected to a white chord that is glued along the back to the top of the frame. Behind the light bulb is a photograph of a woman wearing a large red crown and encircled by a large gold halo. The altar is decorated with gold beads and silver-trimmed pink ribbons.