Painting of the coronation of the virgin Mary. The painting depicts a woman kneeling before three identical standing male figures who are all placing a crown on her head. The man on the left holds a sceptre and the man on the right holds a cross-bearing orb. Mary holds her hands together in front of her, above a red Ankh. All four figures have halos. Painted on canvas, in a carved wooden frame with a metal hook at the top back.

Large silver tupu style pin with a floral-patterned, tri-lobed head. The head is tulip-shaped, with three oblong shapes within each lobe, and the designs are outlined by two raised dimpled lines. The head is attached to the pin by two metal rivets. Just below the head, the stem has a flat, bulbous decorated section with two attached S-shaped elements on either side, before extending into a twisted section and ends in a point.

Brightly painted portable retablo box altar with two doors that open to reveal a two-level religious scene. The doors have leather hinges, and are painted on both sides with blue, green and yellow floral designs on white backgrounds. The two levels have small painted plaster figures and animals arranged into two scenes. The top of the box is triangular, with a painted blue cross. The exterior of the box is painted yellow.

Large silver tupu pin with a round, flat disc at the top. The disc has two smaller concentric circles of raised bumps. The disc is attached to the pin by two metal rivets - one through the centre and one through the base of the flat section. The stem is circular in cross-section and ends in a point.

Large silver tupu pin with an orb head and stem. There is a band around the centre of the orb with angled lines etched along it in a zigzag pattern. There is a small extension from the top, stacked upside down cones, with an upside down triangle with a small cross attached by a ring. The stem is circular in cross-section and ends in a point.

Large pyro-engraved gourd. The gourd is intricately engraved with two panels of farm and village life scenes around the sides. The upper panel has musicians. people dancing, two houses, and three men fighting. The lower panel shows people harvesting, and llamas or alpacas. Base undecorated with '28' and '$.450' hand-written in pencil.

Painting of the virgin Mary holding a child and a sceptre. Mary is depicted wearing a red gown with gold brocading, and lace-trimmed sleeves. On her chest she wears a red and gold emblem of the Mercedarian order. Both Mary and child wear broad-brimmed black pilgrim hats with white feathers. Mary holds a gold sceptre in her left hand, and child in her right. They appear to be on a red and gold seat. Painted on a board, in a carved wooden frame.

Small pyro-engraved bird figure. The bird's head and body is made from a single gourd, with the stem as the neck and head. A beak is attached to the face and coloured yellow. The bird stands on two tall, thin legs, which are mounted on a convex base made from the bottom of a gourd. The bird's feet are engraved into the gourd. Another piece of gourd is attached to the back of the bird as tail feathers. The side of the base has "MAX INGA A, La Encantada, Chulucanas, Piura, Peru 27-4-80" carved into it.

Small hollowed-out gourd with floral design around the outside surface. A panel of large flowers, with circular swirls, and leaves wraps around the body. A single uneven line divides it from the undecorated base.

Woman's hat consisting of a cloth cap and wide plant fibre brim, covered in fabric. Top of hat is black, base is red; green trim along edge. Linear and triangle motifs across top; primarily done in white with red, yellow, green and blue-grey highlights throughout. Triangle-shaped fringe is attached to the hat brim and around the white motifs on top. Long chin strap, with concentric diamond designs woven along it, stitched to bottom.