Small pyro-engraved bird figure. The bird's head and body is made from a single gourd, with the stem as the neck and head. A beak is attached to the face and coloured yellow. The bird stands on two tall, thin legs, which are mounted on a convex base made from the bottom of a gourd. The bird's feet are engraved into the gourd. Another piece of gourd is attached to the back of the bird as tail feathers. The side of the base has "MAX INGA A, La Encantada, Chulucanas, Piura, Peru 27-4-80" carved into it.

Small hollowed-out gourd with floral design around the outside surface. A panel of large flowers, with circular swirls, and leaves wraps around the body. A single uneven line divides it from the undecorated base.

Woman's hat consisting of a cloth cap and wide plant fibre brim, covered in fabric. Top of hat is black, base is red; green trim along edge. Linear and triangle motifs across top; primarily done in white with red, yellow, green and blue-grey highlights throughout. Triangle-shaped fringe is attached to the hat brim and around the white motifs on top. Long chin strap, with concentric diamond designs woven along it, stitched to bottom.

Short, red-purple woman's jacket with front opening and two pockets. Cuffs are bordered with black bands and green trim; green trim along edges of front opening. Black cloth stitched to sides of front opening, on elbows and top edge of pockets; imitating lapels, elbow patches and pocket flaps respectively. Curvilinear and geometric motifs embroidered around opening and on all black fabric; white button decorations throughout embroidery.

Applique textile (arpillera) depicting people in a market scene. Figures and merchandise are three-dimensional and stitched to the larger white cloth. Foreground of cloth is white-brown; middle ground is light green, orange, white and patterned; background is light blue-purple. Entire edge of cloth is trimmed with braided blue yarn. Brown and grey mountains in background, with sun rising in between them. White and blue striped house, with an orange roof, in middle ground towards left side, large tree towards right side. Green embroidery, imitating grass, across the middle. Figures are attached to the middle and foreground. All are white-pink and have black hair. They are wearing various outfits, including skirts, pants, brimmed hats, and short sleeved shirts. Some shirts and skirts have geometric designs, but most are unadorned. The vendors are all kneeling in the foreground with woven plant fibre baskets, full of produce, in front of them. Other people, carrying baskets or cloth bags, walk throughout. The word “Mercado” is embroidered in the top left corner. Textile is adhered to a foam board.

Woven sash is long and narrow, and covered in geometric designs in off-white, burgundy, dark green, red, and light olive green. One end is finished with a straight edge, and the other end has plaited tassels, that are attached together at their ends created a tapered, rounded end.

Gourd decorated with elaborate carved designs. Sides divided into two panels with similar imagery, separated by X-like designs with fern leaves within. The panels each feature musicians, standing to the left with their instruments, and pairs of dancers on the right. Buildings, trees, and deer fill the background. The top is carved with geometric designs including a bold ten-point star. The base is a solid uncarved orange with a single circle.

Wooden panel covered in plaster or gesso and painted. Tabla shows people in local traditional dress being burned alive in a bonfire. State police in camouflage are also shown in the scene. The text states that the painting shows the extrajudicial execution of supposed ‘Shining Path’ insurgents. Among the executed are numerous innocent local Ayacuchans.

Wooden panel covered in plaster or gesso and painted. The tabla shows the Peruvian State forces confronting ‘Shining Path’ guerrilla insurgents in the high plains of Ayacucho. The image shows men in Sinchi uniform as well as people in local traditional dress. A low flying helicopter painted with state camouflage is firing on everyone. The image is of destruction and bloody death. However, it also contains images of the local landscape that show continuity in painting style from the house beams (3289/60-61); a dog steals a piece of meat from the fire, chickens roam the hillside. This is the culmination of the armed conflict and shows the confusion involved in the identities of attackers and victims.

Painted house beam. Slice of a tree trunk, covered in plaster on the front, with the bark left on the back. The part that has been plastered is painted with natural pigments. The beam would be read bottom to top. At the bottom is one of the patron saints; the Virgin of Asuncion. In phrases divided by various patterns, such as flowers and llamas, the beam depicts a range of daily activities such as sowing seeds and weaving. The persons represented are named in writing. At the top of this beam is the sun.