Ledger drawing titled, 'White Horse'. The drawing shows the profile of a person in full regalia riding a horse while another horse runs beside it. The three figures are spaced so that they are not blocking each other with the furthest horse being in the lead. The lead horse is white with yellow colouring and grey fore legs, wears a blue bridle and has red 'painted' designs of three lines and a hand print. The second horse, which is being ridden, is white with blue patches, and wears a red bridle, strap and saddle. The person wears a large headdress, a breastplate, and leggings. They fire a gun with their right hand, shown with a small red explosion and a bullet, and are holding a shield in their left hand. The drawing is very angular. The ledger sheet has holes down the centre fold where it was bound, and is numbered 107/108, and 125/126 in the top corners. Hand-printed notes on back.

Deer bone spatula. Carved hourglass design with line on front. The round pitted prominence at the end of a bone or joint with a long scoop cut out of the bone. The tip is blunted.

Beaded bag. The bag is composed of two pieces of leather. A larger triangular shaped piece with beadwork on one sides, and a second smaller rectangular piece to create a small pocket. The front is beaded with a dark blue diamond with dark teal and pink within on a white and green background. Stepped striped blocks of black, red, and black on a white and yellow background. A stepped teal design at the tapered point. There is a small flap with a notched centre, and a metal button closure.

Metal dagger (part a) with long beaded sheath (part b). Large knife with double-edged blade riveted between a two-piece wood handle. The handle is wrapped with a wire of copper alloy metal in three places - around the guard, above the guard, and directly in front of the butt. The wire is inserted into holes in the wood and held together with ornate twists. The sheath is composed of four pieces of leather - two large triangular pieces attached on the sides to form the pocket, and two smaller triangular pieces, which are attached below creating an overall hourglass shape. One side is heavily beaded with blue, pink and black diamond designs on a white background. There is one black 'x' just above the tapered midsection.

Catlinite pipe bowl (part a) with pewter/lead inlay and a quill work pipe stem (part b). The pipe bowl is black with inlaid grey and red designs on the bowl and the end of the shank with the mortise. The design closest to the opening of bowl has a curved upper edge and straight bottom edge, with repeating alternating black and red designs within. The next design has a zigzag upper edge and straight bottom edge. Last is a solid band. The shank is square on the mortise end, tapering in to a blunt end. The bowl is conical. The pipe stem is wooden and decorated with wrapped quill work of checkerboard pattern in bands of colour (red, black, blue, green, natural quill) alternating with natural quill. The quill work is stitched together along the long edge. On one end of the pipestem is a cylindrical tenon (that inserts into the mortise) and at the opposite end is the carved mouthpiece separated by a carved circle.

Small beaded 'jingle' bag with beadwork. On the front, the beadwork has geometric designs in dark yellow, red, dark blue, and pink, on a light blue background. The back has two separate rectangular sections of beading on a pink background stitched together with some blue beaded fill on the right side. The designs are of concentric diamonds in dark yellow, dark blue, green, white, red and blue attached by lines on a pink background. Round metal beads are tied to a length of skin that is threaded through a slot in the flap and attached to the inside of the bag. The end of each tie has a single red seed bead above the knot. The flap and bottom edge are lined with 'tinkle' bells of conical pounded metal. Attached to the top of the bag are two lengths of skin knotted together with more round metal beads.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Headdress made of a brown felt cap with a small leather and beaded band around the forehead. Long white and dark brown feathers attached above the band, all around edges of cap. Six small white feathers sewn directly to top of cap. Long feather shafts wrapped in red fabric and secured to the brown cap by loops of skin. Strands of animal hair adhered to white, circular pieces of fabric that are attached to tips of all of the long feathers. Beaded forehead band has designs of crosses and pyramids done in white, dark blue, orange, black and red. Band has two beaded circles attached to ends with crosses and triangles done in light blue, red and black. Strands of silk-like fabric drape down from centre of beaded circles. Strands are white, lavender, dark blue and dark yellow.

Hide bag with a square central pouch, long hide fringe along the bottom, and a long opening flap with six finger-like ends. Central pouch is covered with multicoloured geometric beading. Upper flap has clear beads sewn along the edges. Ochre has been rubbed into the skin.

Beaded hide tube with a long hide fringe at either end; one end of tube is closed while the other has a moveable cap held by the fringe. Beadwork consists of multicoloured diamond shapes on white ground with light blue borders.