Black woven skirt with light blue, green, red, pink and purple patterns on waistband. Floral motif. Black textile with a thick stripe with geometric designs along both edges. One is a white and blue diamond pattern with flowers, alternating short and tall, been embroidered along the inside edge. The other is a maroon and white zigzag design.

Rectangular, pink woven textile with a stitched, orange, floral border. Two horizontal sets of stripes at top and bottom, each consisting of stacked dark blue, green and yellow lines. The think light pink edging on the front extends into a thick border on the back.

Small brass offering dish, used to pour chicha. In its centre stands a small brass bull, attached by a pin protruding out of the centre of the dish. An incised star-like pattern decorates the inside of the bowl around the bull. The figures of angels are attached to either side of the bowl on the exterior, serving as handles. Around one is tied small pieces of yard in purple, red and brown.

Rectangular cape, with repeating woven “W” design, used in weddings. Cape has groups of decorative woven lines and motifs running vertically at the middle and both ends. At centre point is a line of embroidered triangle motifs in an array of colours. Along the outside edges are small red and green embroidered ‘knobs’.

Rectangular cape used in ceremonies. Cape has woven into it a strip of red in the centre, and two thinner strips of diamond patterns to each side. Close to the top and bottom are thin strips of colour and triangle patterning. Around the perimeter of the entire cape on the edge are woven small diamond shapes.

Brown, rectangular cape, may have been used to carry babies and objects on one’s back. It has woven into it vertical strips of patterning consisting of brown, light brown and tan strips of colour, and strips of patterns in swirls, lines, diamond shapes, and triangles. The cape has been sewn together down a centre seam.

Rectangular cape, may have been used to carry babies and objects on one’s back. Cape has wide vertical strips of red, brown and orange, amongst a background of extensive diamond patterning. The cape has been sewn together down a centre seam.

Rectangular cape, may have been used to carry babies and objects on one’s back. The cape has vertical bands of diamonds and triangles woven into it, interspersed by bands of solid colour in pink, green and blue. Along one edge is a thin strip of nylon folded over and sewn onto both sides of the cape. The cape has been sewn together down a centre seam.

Retablo of St. Marcos. The altar is rectangular, topped by a painted pediment. Two long vertical doors open on the front, and are attached to the altar by leather hinges. The doors are painted on the outside with a cross and swirled patterns, and on the inside with flowers, leaves, circles and lines. Inside the altar are two sets of plaster figures. The top set consists of four saints: St. Paul, St. Ines, John the Baptist and an unidentified saint holding a book and staff. Smaller figures stand in front of the saints and include animals and humans. In the bottom set of figures are a group of musicians, several sheep and goats, shepherds, and a woman with pottery.

Small retablo altar of St. Anthony. Altar has a door attached by metal pins, opening on the left where it can be secured by two pieces of braided fibre rope at the mid-point. The outside is painted with designs: curved orange lines and green dots on the long sides, and the outline of a cross on the front. A painted pediment sits atop the altar. The interior side of the door is painted with a flower and leaves. Inside the altar are several plaster figures. The central is St. Anthony holding a child and a branch, and beside him is a skull and cross bones. On the side wall is another figure of St Anthony, also holding a child and branch. The third figure, standing on the bottom of the altar, is a shepherdess with two small animals.