An oblong, multi-coloured woven basket bag with two braided straps. A pattern of thin horizontal stripes coloured green and blue-black have been applied to the base yellow-white colour of the undyed cabuya fibre. The last horizontal stripe on the bag has a light purple and green stripe running along the base. The underside of the bag displays no pattern. The straps of the bag are composed of dyed and braided strands that are the same colours as the bag.

An oblong, tightly woven basket bag with three braided straps that have been tied together at the ends. The base yellow-white colour of the undyed cabuya fibre has been decorated with four, multi-coloured, vertical columns of stacked lozenge shapes. These lozenge shapes are made up of diagonal lines and horizontal stripes. One of the straps has been braided with black, dark orange, and undyed strands of cabuya fibre. One of the straps has been braided with pink-orange and undyed strands of cabuya fibre. The third strap has been braided with pink-orange, light brown, and undyed strands of cabuya fibre.

An oblong, multi-coloured, tightly woven basket bag with four braided straps that have been tied together at the ends. The base colour of the bag is the undyed, dark yellow-white of the cabuya fibre. The bag has been decorated with vertical columns of arrow-like geometric shapes in a variety of colours. These arrow-like shapes are composed of three horizontal arms (of the same colour) and a triangle with a base. There are four columns in total that have been placed around the bag. The bottom of the bag contains a light purple circle. Two of the straps have been braided with purple, green, and undyed cabuya strands. The other two straps have been braided with orange, grey-green, and undyed cabuya strands.

Silver-coloured straight pin with a tapering shaft and a large oval finial. The finial contains a round green stone or glass(?) piece set in its centre. The rim of the finial has been decorated with an incised design of leaves. There is a middle ring of incised small circles, and an inner ring of dots and dashes.

Gold-coloured pin with tapering straight shaft and circular finial. A dark blue circular stone or glass(?) piece has been claw-set in the middle of the finial. The finial has seven arms radiating from the centre, and these protrusions have been incised with lines and dots. This design provides the top of the pin with a sun-like appearance. There are eight circular holes in the finial encircling the blue stone that have been positioned between the protruding arms. On the back side of the finial, the top of the pin shaft has been flattened and shaped to form a closed loop.

A straight pin with a Peruvian coin finial. The shaft on the pin is gold-coloured with a protrusion on one side and a hole in the centre of it at the shaft neck. The coin finial is bronze. One side of the coin depicts Peru's coat of arms: a shield with a wreath, a llama, a tree, and a cornucopia of fruit. The reverse side of the coin has been obscured by a blot of silver-coloured solder, where the coin is attached to the shaft. Some words can still be made out on the reverse: "serva Del Peru - 1964 - EL BANCO CENTR...PAGAR...RTADOR, UN SOL DE ORO".

A gold coloured, metal straight pin with a bird finial. The bird has been depicted in profile, looking back over its wing. It has a tuft atop its head and long tail feathers. The top of the pin shaft has a protrusion on one side containing a circular hole. The shaft and finial are one piece of metal. A zigzagging pattern has been applied to the bird's wing, to the bird's tail, and to a portion of the shaft. The bird design can be found on both sides of the pin.

Agricultural implement made from a tree branch. The two forks of the tool have been secured with leather strapping. The wood has been finished with a type of lacquer. The wood shaft of the pitchfork is cracked in several places.

A necklace strung on cotton string with Coumbian coins, green beads, blue beads, black beads, five crucifixes, and at least one Peruvian coin. The crosses for the two larger crucifixes have been created as wooden inlays. Figures of Jesus Christ have been nailed to these wooden inlays at the hands and feet.

A necklace composed of Ecuadorian coins, religious tokens, crosses, and a larger brass-coloured crucifix that are interspersed with blue, green, and black glass beads. There is also a single red bead. The necklace looks to have been strung with cotton twine.