Embroidered boy's shirt. Long-sleeved, collared shirt is made of mashru cloth, a mix of cotton and silk, coloured in vertical stripes of red, yellow, green and black with sets of small white dots regularly scattered across the red. Chest and back are heavily embroidered with flowers, mango tree designs, and 'v' shaped animal horns. Small mirrors are inset on chest, back and around cuffs, surrounded by sickle stitching. A decorative gold metal button fastens the shirt at the collar, with a plastic button at waist. Two ties on the interior also help hold the garment closed.

Woman’s dark red and black, tie-dyed, cotton veil; decorated with off-white tie-dyed dots that form geometric, linear and curvilinear patterns. In the centre is a round black medallion within a square, dark red panel; there are black borders on all four sides. The veil is constructed from two nearly-identical sections that are seamed together down the centre with machine stitching.

Rectangular, tie-dyed, dark red and black goat wool textile, decorated with off-white tie-dyed dots. The red central field has a large black circle in the centre and four smaller black circles. There are diamond-shaped clusters of white tie-dyed dots scattered throughout. There are black borders on all sides, embellished with rows of red and white linear and curvilinear designs formed by tie-dyed dots. The textile is constructed from two nearly-identical panels that are seamed together vertically down the centre, using a running stitch sewn with white thread. Woven gray-beige selvages are on the vertical edges, and there are woven cotton horizontal supplemental stripes at each end. A strip of black woven cotton textile (7.1 cm wide) is sewn at one end.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are similar in design and colour, but one side is more heavily embellished than the other. Each side has a rectangular centre design panel embroidered with diamond shaped geometric forms and mirror work; the central panel is surrounded by yellow, green and white motifs worked in detached interlacing stitch. The designs are bordered with rows of yellow square chain stitch and a black “braid” made from dense bundles of black thread that are laid and couched. A tassel made from thread is sewn at each corner. One red glass bead is sewn on one side, at the lower right of the design field. The pouch is lined with off-white cotton muslin.

A square of red cotton muslin embroidered with bold, multicoloured, circular motifs and bordered on three sides by geometric figures. The main design field is divided into four quadrants, each containing a large mandala of concentric circles worked in stem stitch and interlacing stitch, with a mirror in the centre of each circle. In the middle of the design field is a slightly larger mandala with a more elaborate centre containing a number of small mirrors. There are small, circular mirrors and square embroidered motifs scattered in a regular pattern over the red background. The edges are bound with black cotton gauze on all four sides. The embroidery is not underlined.

Lavishly embroidered over-doorway hanging with bold, multicoloured designs on a predominantly red background. The hanging consists of a long, narrow, horizontal, central panel to which are attached seven small, U-shaped “pennants” that are arranged side-by-side along the lower edge. The designs on the central panel are alternating flower and parrot motifs, worked in chain stitch; at the right-hand end of this panel, there is a narrow band of red cotton textile, embellished with interlacing stitch, that does not match the rest of the panel in design or colouration. The pennants are embroidered with floral motifs in chain stitch on red or black cotton textile; the designs on the pennants are very similar to one another, but differ in colouration. All edges are bound with three (sometimes four) strips of black, yellow, green and/or red cotton binding. Tassels made of bundles of cloth scraps are sewn at intervals along the top and side edges and at the bottom of each pennant. The various components of the hanging are underlined with scraps of printed cotton gauze. Loops of braided fibre are sewn on the top corners.

Large, flat, rectangular bag or dowry sack, constructed from two pieces of embroidered textile which are stitched together on three edges with blanket stitch; the fourth edge is roughly finished and left completely open. The bag is made of off-white cotton muslin and is lavishly decorated with bold, multicoloured embroideries on both sides. The two sides are very similar to each other but are not identical. The central motif on each side is a scene representing a tree of life; on one side this motif is surmounted by images of two women bearing water pots, while on the other side the tree of life is surrounded by images of peacocks. On both sides are representations of temples, door hangings and wall hangings. The central images are surrounded by square and round geometric designs embellished with mirrors. Borders on three sides of the central motif are embroidered with round geometric patterns and large mirrors on strips of black and red cotton muslin. The embroideries are underlined with a heavier off-white cotton textile which is pieced together.

Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.

Rectangular, appliquéd wall hanging or canopy, featuring repeated motifs formed from pieces of grey, red, yellow and tan cotton textile which have been cut, the edges turned under and slip-stitched down onto an off-white cotton textile background. In the large central field, there are 28 identically shaped square motifs, measuring approximately 20 cm x 20 cm, with stylized floral centres, arranged in a multicoloured checkerboard pattern. Around the edges there is an appliquéd border of abstracted elephant motifs on all four sides, edged with two rows of red and grey sawtooth designs. Small loops of cotton string are spaced at the corners and at intervals along the edges.