Boot strap composed of a woven band with several bands of colour in blue, green, red, dark red, off-white, and cream. Two central bands of blue and green are decorated with a geometric and woven pattern in off-white featuring repeated bands, chevrons, and diamond shapes. The ends are composed of loose threads twisted into strands.

Man’s floor length dark red, A-line robe, with asymmetrical front opening and 5.5 cm wide neckband. Left front overlaps the right front and extends to the right underarm seam. No closures. The robe constructed from long, narrow (18-19cm) strips of hand woven woolen textile that are hand stitched together, edge to edge. The textile is heavy and ‘rustic;’ it is woven from variegated red yarn (ranging from light red to deep red), giving an irregular horizontal striped effect. Long, straight sleeves. Neck area and cuffs are faced with strips of blue-green cotton textile, but the robe is otherwise unlined.

Man’s vest, made from narrow vertical strips of hand woven, ‘rustic,’ dark-red wool textile that have been sewn together edge to edge; the strips have been cut and shaped to fit closely at the shoulders and flare out at the hem. The vest (front and back) is overlaid from shoulders to the waist with a patchwork of plain gold-thread textile and gold brocade with floral motifs in red and pink with green foliage. An 11 cm wide strip of a more finely woven dark red wool textile extends from the front edge of each arms eye, continues over the shoulders and down the back of the vest to about waist level. A 23.5 cm wide strip of the same finely woven dark red textile, folded lengthwise in half, has been applied at the centre front edges and extends around the neck to form a high collar; this strip is longer on the right side than on the left. A piece of bright red cotton broadcloth has been loosely tacked over this strip, leaving a section on the lower right uncovered. No closures. Voluminous. Unlined.

Dark yellow damask robe with standing collar, wide tapered sleeves and side opening with frog closure and cloud motif. Around the neckline is a large four-toed dragon with pearl and fire motifs in gold, red, blue, green and white on dark yellow ground. On the lower front and back, sleeves and side opening are narrow bands with dragon, fire, pearl, mountain and wave motifs. The inner lining is blue damask with the Buddhist symbols of good fortune. Around the edges of the lining is a border of red damask with floral motifs.

Decorative, multicoloured saddle blanket, rectangular in shape and consisting of two identical square panels of thick knotted pile, separated by a 14.5 cm centre strip of dark blue cotton textile. Each of these panels is embellished with ram’s head, swastika and Greek key border motifs, surrounding a large diamond-shaped lozenge containing stylized floral motifs. The motifs are predominantly red, pink, light brown and off-white on a dark blue background; the lozenge shaped pattern appears on a red background. Two corners of the rectangle are notched. There are four small rectangular spots that are devoid of pile, exposing the burlap base fabric, two on either panel, which would be under the saddle when in use. The edges of the saddle blanket are bound with a wide (3.5-4 cm) band of red cotton corduroy, cut on the bias, and the back of the blanket is lined with pieced off-white cotton canvas.

Hanging textile Thangka painting. The imagery shows the Vajrayoginī/Vajravāhārī Mandala, multiple-armed figures arranged like a six-pointed star, with an eight-petalled flower at the centre. All in polychrome on a green background. The scene is bordered all the way around with a patterned orange-red, orange-yellow, and brown fabric. The painting has a plain orange-yellow silk cover. The top has a flat hanging rod with orange-red ribbons, and a light orange loop.

Bone apron with five rectangular medallions at the top that are elaborately carved with human figures. These are connected by horizontal double strands of bone beads and several smaller medallions of varying shape. Hanging vertically from this material are varying numbers of strands of bone beads which are joined and divided by 28 carved square medallions of varying size and pattern. Some of the designs are flowers, birds, shells, and concentric circles. All beads and medallions are a light brown and yellow colour with some dark brown patches. There are 15 tassels and 15 balls attached to the apron at the edges.

Three-legged brown metal incense burner with a round body (part b), domed lid (part a), and a raised circular base (part c); the lid is covered with a perforated, scrolling floral design and topped by the miniature figure of a seated dog. Burner's sides are covered with eight applied figures, alternating between an orchid-like flower and a dog's head with a ring hanging from its mouth. The three legs on the burner are shaped like demon heads with protruding tongues. The circular, raised stand has a curving foot and is covered in a repeating petal-like pattern.

Copper teapot with a raised foot, curved spout, handle, tall neck, and domed lid (part b) with a bud-shaped finial. Decorative brass bands--some with repousse floral designs--ring the spout, handle, neck and lid. Short length of metal chain is attached to a loop atop the handle.

Silver, cylindrical mani khorlo (prayer wheel). The silver wheel is covered in repoussage metalwork, with two bands of Sanskrit text inscribed in Lantsa script conveying iterations of **||Om mani padme hum|, the sacred six-syllable mantra for Avalokitesvara. The same mantra is printed on thin paper and rolled around the cylinder’s core spindle, where it is hidden from view; a bud-shaped finial with a flat, circular base is featured on the top, while a metal chain with a polyhedron finial is attached to the side. Cylinder is mounted on dark brown wooden handle capped with metal, about which it turns.