OVAL STONE PAINT MORTAR; ANIMAL FORM. REMNANTS OF BLUE GREEN PAINT IN MORTAR. Loan Museo Nacional de Antroplogia 5/18/64. Loan returned 2012.

FROM CARD: "CEDAR BARK. ONE THESE 8 MATS WAS APPARENTLY EXCHANGED, FOR IT RETURNED TO USNM IN 1931 IN THE EVANS COLLECTION AND WAS GIVEN NO. 361,312."

Anthropology catalogue ledger book identifies Catalogue #s E20827 and E20911 as Swan original # 61. List in accession file identifies # 61 as "1 box containing complete outfit of an Indian medicine man, Hannegan Indians, Klawark village, P. of Wales Island, Alaska." Catalogue Nos. E20828 - 38 may be related objects?

From card: "Body, including arms and legs, is of brown printed calico in grape design, loosely stuffed with grass. To this is attached a face carved of cedar wood with mouth and part of nose painted red. Eyes and other features accentuated in black paint. Flat carved wooden hands painted red on the palms. Feet are simple black forms with the ankle, and toes indicated by a series of deep excisions. Neck, wrists and ankle have short sashes of red cotton cloth. Illus.: p. 92, Pl. 98, Celebrations catalogue, Smithsonian Press, 1982. [caption from this catalogue is attached to card:] Puppet, ca. 1890-1930. Northwest Coast Indians; British Columbia, Canada, and Alaska. cedar, red cloth, calico cotton, red paint, grass stuffing. 30 1/2 x 13 x 44 (77.5 x 33 x 10.2). Kwakiutl and Tsimshian secret societies used puppets to suggest to a believing audience that spirits were actually present. As part of an elaborate ritual stagecraft, puppets often appeared in acts of illusion. A box might be thrown over a fire to dim its light, whereupon a puppet would miraculously materialize from the gloom, or, at a sound from the roof, puppets might sweep down from a smokehole. In their cures, Tlingit shamans frequently used puppets to represent either a healing spirit or the illness itself."

From card: "Cedar bark."Original label attached to artifact says "Jessie Matthews [presumably the maker or original owner?], Jackson, Alaska." Jackson is an alternate name for Howkan, Alaska, which is a Haida town.Listed on page 41 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".

FROM CARD: "21594-5. #21595: ALASKAN DUGOUT CANOE. IN FAIR ORDER. ILLUS. IN USNM AR, 1888; PL. 33, FIG. 170, P. 296. NEG. NO. 2,401. LOANED TO THE S.I. CENTENNIAL COMM. 7-9-75 (#21595). LOANED RETURNED MAR 22 1990. " FROM 19TH OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD: "SMALL FAMILY OR SUMMER CANOE. FOR FISHING, HUNTING, ETC. ORNAMENTED WITH TOTEMIC DESIGNS. THIS ORNAMENTATION WAS FORMERLY PUT ON ALL CANOES, BUT IS AT PRESENT SEEN ONLY ON MODELS. TLINKIT INDIANS (KOLUSCHAN STOCK), SITKA, ALASKA. 21,595. COLLECTED BY DR. J. B. WHITE, U. S. A."In 2008, the canoe bow/prow figurehead was missing from this canoe model. A figure found in storage, which had been called ET9989-0, appears to match the photo of the figure as shown in Pl. 33, Fig. 170, p. 296 of USNM 1888 AR, and so it has been given number E21595. Upon close examination, it was found to have the number 21595 written on it, thus confirming the identification.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027. Canoe includes 4 paddles and figurehead in position on bow on loan.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=534 , retrieved 12-30-2011: Canoe model Large "war canoes" with projecting bows and high sterns were up to sixty feet long, with room for many passengers and thousands of pounds of gear and supplies. They served for coastal travel, trade, war, and relocation to seasonal camps. Haida men carved the canoes from tall cedar trees that grow in the Queen Charlotte Islands and traded them to northern neighbors. Elder Clarence Jackson said, "It was a sign of wealth when you had a Haida canoe." They were painted with clan crests – on this model, a bear on the bow and a bird figure on the stern.

Florence Sheakley, elder, Virginia Oliver, and Ruth Demmert, elder, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. This object could be brought out at certain times as at.oow (clan property), but was not necessarily always used as at.oow. The designs on this object do not necessarily reflect clan affiliations, as that trend occurred later on. People often carved their own materials to designate they created them.Listed on page 45 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".