FROM CARD: "BASKET. 1 GIFT TO ROCHESTER ATHENAEUM & MECHANICS INSTITUTE, FEB. 14, 1903. ONE-EXCHANGE-MR. G. D. E. SCHMELTZ LEIDEN MUSEUM, LEIDEN HOLLAND. MAY 1899."

Listed on page 46 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

The object name for catalog numbers e20736-20742 was previously recorded as: "Carving Wooden Dish Frog". This is due to the fact that the objects within this range share a single catalog card, where the description (carving wooden dish frog) only corresponds to the first object (e20734) in the series. When the catalog information was entered into the database, the object name was recorded as the same for each, despite the fact that each catalog number is representative of different, separate objects. At some point, a new catalog card was created for E20742. The other records were updated when digital images were attached to the catalog records.

E74330 and E74331 are probably the objects referred to in a John J. McLean letter dated October 15, 1884, filed in the accession file. McLean writes: "I enclose herewith bill for two large pieces of carved wood. The pieces are cut from the top of the broad corner posts of the regularly built Indian house. These specimens are the only ones to be found in the Ranche at Sitka ..." Culture for E74330 had been listed as Tlingit? on its catalogue card. Culture for E74331 has also been changed to that designation.

From card: "Checkerboard weave. Formerly part of the George Emmons collection, cat. no. 168287 [which was part of Accession No. 28072, accessioned in 1894]."

FROM CARD: "THE LOOM IS A BAR SUPPORTED ON TWO LEGS - NO OTHER APPARATUS. THE WARPS ARE WHITE YARN AND FIGURES IN BLACK, BLUE AND YELLOW YARN ARE WORKED IN TWINED WEAVING PRECISELY AS IN MAKING BASKETRY. THE FIGURES ARE MYTHOLOGICAL. THE WEAVER IN THIS WORK CONTRARY TO OTHER AMERICAN EXAMPLES, HAD THE PATTERN NOT MERELY IN HER MIND BUT PAINTED ON A BOARD."See related objects 209963, 209581 and T15491. See also the accession file, which contains a diagram and description of the loom done by Emmons. In a letter dated February 24, 1900, filed in Accession 40238, Emmons talks about getting a Chilkat blanket in process and accessories to be used on exhibit at the Smithsonian: "I know that I can get this from a family far up the Chilkat River in the goat country ..." In letters dated 5 and 9 October, 1900, filed in Accession 37889, Emmons talks about visiting the Chilkat (Chilkoot?) mountains and collecting the blanket in process from the upper Chilkat village in the mountains.Per Haida artists Delores Churchill and Evelyn Vanderhoop, 2015, the blanket and associated separate bags of yarn include Haida made yarn and commercial yarn.