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Painted Room Partition - House ScreenE233498A-0

From card: "(A & D) Illus. Bu. Ethno. Ann. Report #26, p. 420, fig. 106. Note: Apparently prior to Dec. 1969 these specimens had not been numbered. The former dimensions and quantity (1) were also in error as shown in the old catalog book. Previous attributions to James Swan now seem to have little basis. -GP (George Phebus). Bear crest designs. See: The Far North, Nat'l. Gallery of Art, Washington, 1973, Pl. 235, pg. 188-189 (where all 4 are illustrated). Loaned to the National Gallery of Art October 20, (19)72. Returned 5-29-(19)73. A & C Loaned to Renwick 7/28/(19)82. Returned 1983. (Excerpt from exhibit catalogue for Renwick exhibit, called Celebration, A World of Art and Ritual, is taped to back of card. Objects are described as: "House screens, ca. 1850-1900, Tlingit Indians; Wrangell, Alaska, wood, fiber lashing, red and black paint, non-Indian frames." ... cont., see card.According to Eric Hollinger, Repatriation Office, Feb. 2007, E233498 was originally a pair of house screens measuring 7ft by 14 ft each. Both screens were sawed in half after they arrived at the museum and framed. Red borders were painted on each of the four sections and the same red paint was then applied to touch-up the red paint of the figures (based on Smithsonian Museum Conservation Institute XRF analysis). Screen E233498A originally articulated with E233498D but they were separated when they were sawed in two within the museum. E233498A was on the left and E233498D was on the right. E233498B was originally articulated with E233498C before it also was sawed in two pieces within the museum. E233498B was on the right side and E233498C was on the left side. The screens were purchased by John R. Swanton from Mrs. Robert Shadesty in Wrangell, Alaska in 1904. See the Repatriation Office Tlingit case report (Hollinger et al. 2005).Florence Sheakley, Shirley Kendall, and Alan Zuboff, all three elders, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. Screens like these were used in houses to separate compartments, with screens in the back and the front of the house. Florence gives the Tlingit word for these screens (rv_Tlingit_20170320_004; 9:59). Alan pointed out that since there was no smoke line or sun bleaching, they were likely used indoors. Shirley commented that screens like this were no longer being made when she was growin up.

Culture
Tlingit
Made in
Wrangell, Wrangell Island, Alaska, USA
Holding Institution
National Museum of Natural History
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Model Of Carved Stone (Ornament)E229728-0

No catalog card found in card filePer Anthrology Catalogue ledger book, this is a model made in the Anthropology Lab for exhibit purposes of Catalogue No. E7944. Original identified as Tlingit, Alaska.

Culture
Tlingit
Made in
USA
Holding Institution
National Museum of Natural History
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Halibut-HookE72625-0

Note re provenience: Juneau had two names, Harrisburg and Rockwell, before December 1881, when it was named for Joseph Juneau. A handwritten note in the accession file states: "Auk Indians, Harrisburg, Alaska. Mainland. 160 miles N. W.B. Lord." A second note seems to state (handwriting is hard to read): "Halibut hook. Harrisburg Aleut. W.B. Lord." The halibut hook has been catalogued as Auk Tlingit. It is unclear if the Aleut reference in the note in the accession file indicates that it may actually be Aleut?

Culture
Tlingit and Auk
Made in
Harrisburg, Alaska, USA
Holding Institution
National Museum of Natural History
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Paint Brush "Tes-Sale"E209920-0
Bone CarvingE74994-0
Beaver TeethE60219-0
BasketE324695-0
Dance-CarvingE74773-0

From label in Swan's hand glued to artifact: "97 Combination dance carving illustrating ancient myth. Chilkat Indians, Alaska. J. G. Swan, Port Townsend, W.T. Dec. 1884."Listed on page 45 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

Culture
Tlingit and Chilkat
Made in
Alaska, USA
Holding Institution
National Museum of Natural History
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Shaman's HairpinE233478-0

From card: "A) cylindrical shaft, carved head..."Listed on page 49 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

Culture
Tlingit
Made in
Alaska, USA
Holding Institution
National Museum of Natural History
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Wooden Helmet, Old Style, Carved (Frog)E60214-0

FROM CARD: "CUT FROM THE SOLID (BURL). CARVED TO REPRESENT THE FROG. CLOUD HAT CYLINDER MISSING. TRACES OF GREEN PAINT ONLY REMAIN. NEG. NO. 43,227-B (FRONT). 43,227-(PROFILE-RIGHT SIDE), 43,227-A (BOTTOM). LOANED: OSAKA EXPO-70 JULY 69 - JAN. 71. RETURNED TO COLLECTION DECEMBER 7, 1970." See apparently associated object E60216. December 1881 list in accession file lists the frog helmet as being accompanied by a neck shield.Per Repatriation Office research, as reported in the Tlingit case report (Hollinger et al. 2005), in 1881 John J. McLean purchased this helmet from the Northwest Trading Company at an unknown location in Southeastern Alaska. Evidence supports a cultural affiliation between the Frog House of the Gaana xteidí clan of Klukwan.McLean list in accession file identifies this object as Chilcat. It appears that Chilcat may be meant as a place name on this list, perhaps not specifically or exclusively as a culture name, similar to the way other objects in the collection are identified as Sitka, Kootzahoo, and Hoonia. Chilcat/Chilkat is a name sometimes used for Klukwan.

Culture
Tlingit and Chilkat
Made in
Chilkat, Alaska, USA ? or Kluckwan, Alaska, USA ?
Holding Institution
National Museum of Natural History
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