One of two canoe paddles carved in light, soft wood stained brown. On each paddle there is the Northwest Coast form-line style with salmon design , frontal view with an eye in the center of the design. The handles are undecorated. Old acession number #17, 695. Condition: good except for tip of paddle .1 is broken off.

Northwest coast Chilkat blanket, two piled yarn of wool fiber and cedar bark. Trapezoid-like shape, side edges of beige weft-faced voven, possibly weft-twined. Upper and lower edges also beige in weft-faced plain weave. Broad bands of medium brown and yellow weft-faced plain weave enclose central dark brown field. Various geometric, stylized face and eye motifs in interlocking and slit tapestry techniques in beige, light yellow, olive green and dark brown on this dark brown field. Long fringes extend from lower edge, where wool yarn covering has worn away to show cedar bark interior in places. The design is the "Diving Whale" design with the head of whale located at bottom near the fringe, tail flukes near the top, side flukes near the head, all with eyes inside. The center body is indicated with a face representing the spitit of the animal. The whale is flaked by young raven designs. Weaving is thought to be problematical and the artist took many innovative liberties. Might not have had enough brown wool so did some basket twining technigues along the top and outlining areas such as the eyes. In one area near trout eyes at the botom weaver had to change brown to another shade and then finaly to green as not enough wool. Very loosely woven over all. Either has two different artist's signatures or again the artist didn't have enough dark brown to even complete the signature.

This woven teapot is missing the knob from it's lid. It is an excelent example of the creativity of weavers early in the 20th century to make objects aimed at a tourist and collectors' market as the teapot was made to appeal to non-Native buyers.

Made entirely from trade materials, these distinctive cloth pouches were accessories for ceremonial clothing. They were called octopus bags because of their tentacle-like fringes. Some of the Tlingit designs may have been influenced by proximity to the Athabascan groups to the east. The reverse of the bag is plain.The pouch has four double fringe "arms" and a black wool strap.

Mask in the form of an animal, possibly a wolf, dog or bear, with separate pointed ear attachments (the proper left ear has a section missing) and a protruding snout. It is painted with black, red, and white pigments. Under the chin is a white leather tassel that is secured by a knot inside. On both sides of the mask are holes, probably for wearer to secure object. There are two holes in the eyes and nose. The mouth is partially open revealing two sets of sharp teeth towards the front. The object is in fair and stable condition. There are nine reattached fragments along the proper left edge as well as two reattached fragments at the top of the head. There are indications of old insect damage and loss of wood around the mask's edges and base. The leather tassel is dry. Note: although this photogrpah show the mask as 'blue' the paint has darkened to where it looks black. Would be a good conservation example to clean.

This spoon is carved in two pieces. The handle is carved, the bowl is plain. Detail description follows: The design begins at the tip of the handle with a segmented cone (possibly representing the rank symbol for the figure below). This cone rests upon the head of a long, thin, standing figure with large, down-slanted eyes and a protruding tongue held with the hands. The figure stands upon a section of a cylinder of four, elaborated rectangles carved on the side. Below this is an animal head with a long beak-like nose that curls down towards the mouth. The head might represent a hawk. In the open mouth of this head a double row of teeth is clearly indicated. Condition: good.

This spoon is in the soapberry form of a long, flat paddle with carved design on one end. The handle instead of being smoot like a soapberry spoon is fully carved. It was probably used to ladle out soapberry foam not to make it. Making soapberry foam is done by putting a few tablespoons of berries with a little water into a large bowl and twirling the spoon very quickly back and forth between the hands like making a fire or whisking. As the berries foam up sugar, more water, more berries may be added until it is extremely foamy. When eaten it is normally swooshed into the mouth quickly past the tongue, bypassing any bitter or sour flavor and down the throat for a great treat.

Wooden mask of talking man with moveable mouth that opens to show teeth. Copper plate on forehead. Tuft of fiber on top of head. Ruffle of raffia painted red around mouth area. Black pigment on cheeks and above the forehead area to represent hair. Has metal eyebrows and low-sloping mouth.

A horn ladle with an oval bowl secured to the handle by copper [or brass] rivets. The handle is carved with human and animal motifs: a frog, a human head with protruding tongue, and two birds' heads with animal ears. The pupils of the eyes of all figures are inlaid with metal.

This necklace is made from 36 pieces of bone, teeth and ivory that are presently strung on a cord. It is unknown whether they originally belonged together and were on this cord or they have been joined at a later time. Ten of the pieces are elaborately carved into complex figures. Eight of the short teeth have a dot design on them. Other teeth appear to have been left natural and unmodified except for piercing a hole for a cord on one end.