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Bevel-edge chisel with blue plastic handle. Handle has maker's name 'Marples'. Blade has engraved information, 'HAND FORGED 1/3 mm 1/2" SHEFFIELD ENGLAND'. Part b is a small grey plastic edge guard for the tip of the blade. Marked with maker's name,'marples england' on one side and measurements on the other side.
Large wooden carving of the upper torso of a male angel, holding a bowl. Figure is round at its base (waist), dressed in a blue-grey robe, holding a black bowl with one hand. The other hand is raised, palm out, in benediction. A pair of wings (parts b,c) with the carved feather side painted grey and the other side white with grey painted feathering, attach to the back with pegs.
RATTLE TOP: IN THE SHAPE OF A RAVEN, ON ITS BACK A RECUMBENT HUMAN FIGURE SUCKING A FROG'S TONGUE, FROG HELD IN BEAK OF BIRD'S HEAD. RATTLE BOTTOM: HAWK'S HEAD. LEATHER THONGS HOLDING HOLLOW TOP AND BOTTOM TOGETHER. SEEDS INSIDE? CARVINGS PAINTED IN BLACK, RED, GREEN AND BROWN PIGMENTS. SEE ACCESSION FILE FOR DETAILED DESCRIPTION OF 1952-53 RESTORATION BY DONOR. TRIBAL AND LOCATION DESIGNATIONS BY WILSON DUFF, 1969.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=716, retrieved 3-31-2012: Rattle, Tsimshian. During secret society performances chiefs carried raven-shaped rattles that portrayed the transfer of spiritual power from animal beings to people. On Raven's back a crested bird holds a frog in its extended beak, and through its tongue the halaayt of the frog enters and transforms a person or spirit in human form. Raven rattles, used by the Tsimshian, Haida, and Tlingit, are thought to have been first made by a Tsimshian or Nisga'a artist.
FROM CARD: "HALIOTIS INLAID. ILLUS. IN USNM AR, 1888, PL. 7, FIG. 23, P. 260."FROM 19TH CENTURY OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD: "EAR ORNAMENTS.---RED SKEINS OF WOOL, TO WHICH ARE PENDANT TO-TEMS OF CARVED SHELL, HALIOTIS CALIFORNIANUS, INLAID WITH HALIOTIS KAMSCHATKENSIS. WORN BY NASSES [NASS] INDIAN, NEAR FORT SIMPSON. LENGTH, 9 INS. BREADTH, 1 1/2 INS. BRITISH COLUMBIA, 1875. 20,674. COLLECTED BY J.G. SWAN."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=528, retrieved 4-24-2012: Ear ornaments or earrings. Ear ornaments made of yarn and abalone shell were a symbol of nobility. Fathers or uncles hosted potlatches to pierce the ears of their high-born children, nephews, and nieces, and the full measure of prestige was to reach adulthood with four holes on each side. The wise, elderly figure of Mouse Woman appears in Tsimshian sacred histories to offer advice to people in their dealings with supernatural beings. In payment she always asks for the person's wool earrings, which she burns and eats or takes away for lining her nest. Symbolically, ear perforations were connected with hearing, understanding, and wisdom of the kind that Mouse Woman offered.
From card: "Thick blue blanket stuff with broad border of broadcloth ornamented with applique designs of whales [sic], men, and seals [sic], and lines of pearl buttons. Loan: Crossroads Sep 22 1988. Loan returned Jan 21 1993. Illus.: Crossroads of Continents catalogue; Fig. 221, p. 174."Blue and black-striped diagonal weave napped wool blanket with top and sides edged in appliqued band of red wool. Beige selvages on red wool are typical of a strouding trade blanket. Red wool shapes of standing bear(?) with arms spread, crosses, and 27 salmon(?) appliqued on as decoration. Small white shell buttons form rectangles, one within the other, in the center. Four large white shell buttons decorate centers of four crosses, and two more form eyes of the bear. White beads outline bear's figure. tabs with buttons on top edge may be device for a neck tie or for securingIllus. Fig. 221, p. 174 in Fitzhugh William W., Aron Crowell and National Museum of Natural History (U.S.). 1988. Crossroads of Continents : Cultures of Siberia and Alaska. Washington D.C: Smithsonian Institution Press. Identified there as Tsimshian: "As described in the Tsimshian myth of "The Prince Who Was Taken Away by the Spring Salmon" (Boas 1916: 192), each species of salmon has its own chief and village beneath the sea. When the cottonwood leaves fall into the Skeena River, it is a signal for the salmon to leave their villages and head upstream, led by their chief, the First Salmon. It is not known what myth is illustrated by this flannel-appliqued button blanket, but its humanoid central figure may represent a salmon chief. Alternatively, it may be the submarine monster Nagunaks ..."
PAIR OF EARRINGS MADE OF 3 PORCUPINE QUILLS, BEADED WITH PINK AND PURPLE BEADS AT EITHER END.
FROM CARD: "COMPARE WITH 'SLAVE KILLER' #67826 AS A CLUB HEAD."