Painted replica of a Tsimshian house screen board in MOA's collection.

Painted replica of one section of a Tsimshian house screen board; pair of boards mounted together, DC5.1 and DC5.2.

Painted wooded pattern board for weaving a Chilkat style robe. The panel is somewhat rectangular except for the bottom right corner which is cut off at an angle. There is a rectangular human-like face at the centre front, above which is an eye form containing a frog face. Below the rectangular form are two inverted eye forms, to the right of which is a foot with claws. Above, are two more eye forms. At the midpoint of the side edge is a rectangular profile human-like face looking inwards towards the centre. Back is undecorated.

Model pole, carved and painted. From top: bird, human figure, rectangular section with three faces (one with body), two figures (one wrapped around the other), and a human figure at the base. Mounted on a small wooden base painted red, off-white and black. The base is square, with a wide angled notch cut out behind the pole.

Small painted model paddle carved from a single piece of wood. Front painted with formline-style design in black and blue. Initials 'F.A.' and two sets of diagonal painted bands in blue and black on the reverse.

Soul catcher made of a tubular piece of grizzly bear shin bone, flared at each open end. The ends are split partway to look like open animal mouths. Eyes are carved above each mouth with incised designs to indicate nostrils. A human-like face and torso, with hands raised to his chin, is carved at top centre, with two small holes drilled at either side of face.

Watercolour painting depicting Fort Simpson and the village of Lax Kw'alaams. The image shows a coastal inlet with Tsimshian village houses built all around the shore, along with a large fort on the left, with "H.G.Co. S FORT" hand-printed on its wall. In the foreground there are two Tsimshian people sitting on the ground holding the end of a bird trap that runs to the right of the foreground, with two birds near the trap itself. Most of the houses have blue smoke coming out of the smoke-holes. There are canoes pulled up along the shore, as well as two in the water. A large rigged sailing vessel is anchored inside the inlet. Hand printed on the front lower right corner is "FORT SIMPSON .B.C. in 1831. Drawn by Frederick Alexcee". In the background, in the water, is a steamship with a plume of black smoke coming out its pipe. There is one settler-style house in the background on the left, behind the fort. A green mountain range runs across the horizon. The painting is on thin, somewhat flexible board.

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.

Small bentwood box, slightly angled on the square base with sloping top (a). A carved man stands inside the box, holding a broken paddle (b). The box is surrounded by five octopus arms. Artist's inscription on base.

Portrait mask with long black-brown hair, large black eyebrows, carved out eye holes and open mouth. Bird design on right and flame design on left side of the mask. There are four holes on each side on the back for hanging. Hide thong tied through the holes at back. Artist inscription on back.