FROM CARD: "PEOPLE: *TLINGIT OF SITKA. REMARKS: MADE OF WOOD, CARVED IN TOTEMIC DESIGNS AND INLAID WITH HALIOTIS SHELL. *THERE IS SOME CONFUSION AS TO THE PROVENIENCE OF THIS SPECIMEN. ACCORDING TO THE CATALOG BOOK IT IS ALEUT, BUT IN USNM AR 1884, PT II, PL. XVII (LEGEND) IT APPEARS TO BE TLINGIT (SITKA). IT IS VERY SIMILAR TO #20771 COLL. BY J. G. SWAN AT SITKA IN 1875. BOTH SPECIMENS ARE EXTENSIVELY CARVED IN TYPICAL NW COAST ART MOTIFS. GEP. THE TLINKIT ARE KNOWN NOT TO HAVE USED THE THROWING STICK, WHILE IT OCCURS THROUGHOUT THE ENTIRE ESKIMO AREA. ILLUS. IN USNM AR, 1888; PL. 27, FIG. 127A,B; P. 286. LOAN GLENBOW NOV 13 1987. LOAN RETURNED NOV 25 1988. ILLUS.: THE SPIRIT SINGS CATALOGUE, GLENBOW-ALBERTA INST., 1987, #N44, P.141."Provenience uncertain. Original catalogue lists locality as Unalaska/Ounalaska, i.e. Aleutian Islands, but object was later published/identified as Tlingit from Sitka.Florence Sheakley, elder, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. The design on this object is Eagle, and so belongs to the Eagle clan, but might have been made for trade.

FROM CARD: "PLAIN BRACELET. INVENTORIED 1979."

FROM CARD: "43234-6. # 43236-WITH HANDLE."

From card: "Brittle; small section broken out; painted with characteristic designs in red, black, blue, and green." In a 1937 letter in the accession file, the donor notes that she purchased this "more than 30 years ago" and identifies it as from Sitka.

Ruth Demmert, Virginia Oliver, and Florence Sheakley made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. These moccasins feature size 10 beads and the inner lining looks like baby seal fur. Florence commented that her mother used to make this kind of slipper with a high top for male dancers.

Identified as of probable Makah manufacture by Teri Rofkar, Tlingit basket maker, 3-2003

Pipes E60200 - E60204, which do not have original numbers listed in the Anthropology catalogue ledger book, have been presumed to be from Hoonia/Hoonah by the person who typed the catalogue cards, based on the original artifact list in the accession file.

FROM CARD: "SUSPENDED WARP WEAVING FOR COMMERCIAL USE; FRINGED AT BOTTOM. BORDER BANDS IN WHITE, BLACK, AND YELLOW; LARGE CENTRAL PANEL IN BLACK WITH DECORATIVE DETAILS IN YELLOW, LIGHT BLUE, BLACK AND WHITE EACH OUTLINED WITH DOUBLE CORDONNET IN WHITE. WARP OF CEDAR BARK IN TWO-PLY TWIST INTERTWINED WITH WOOL OF MOUNTAIN SHEEP; WEFT TWINING OF WOOL OF MOUNTAIN GOAT (?). BADLY DAMAGED BY INSECTS."This robe is in poor condition, but appears to have a yellow and blue checkerboard "signature" at the bottom left and right corners. Per Clarissa (Hudson) Rizal, Tlingit artist/weaver, 2006, this resembles the signature used by her teacher Chilkat weaver Jennie Thlunaut (1892-1986).Shgen George, weaver, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. This blanket has a killer whale design, based on the fins, and there are flickerbird feather designs on the garment as well. Shgen says that it is common to see blue and green at the corners and they are not necessarily a weaver's 'signature.' The heading cord at the top is thin, which is unusual, and this one is broken. The fringe has remnants of blue in it, and is hand spun, but with commercial dye.