A model totem pole depicting (from bottom to top): a bird with a frog, a man and a frog with their tongue's connecting, and a bear. The bird's circular black eyes are outlined in red and surrounded by a black ovoid. It has a small beak and mouth. The side wings have a black ovoid in ovoid in ovoid design. The frog facing upward in front of the bird has a black outlined, heart shaped face with circular black eyes outlined in red, and plain circular nostrils. It has a black dotted body. The man has black circle in tapering oval eyes with black brows above, a flat triangular nose, and an open mouth with a tongue extending into that of the frog's below it. The frog below the man has circular black eyes and a black body. The bear has black circle in tapering oval eyes, plain ears, black outlining the face, a flat rounded snout, and a downward turned open mouth showing sixteen plain teeth and four front fangs. Carved on a half-oval shaped pedestal.

Rectangular design of a seated figure with a hat and upraised hands holding a sword in red and black. The stylized figure has black ovoid eyes with the rest of the square face split down the middle by the long downward pointing triangular nose. At either side of the nose, there is a split u, half of a red moth, and four teeth. The chest has two large black ovoids, two pairs of red u forms surrounded by a larger red one that is surrounded by a larger black one, and three pairs of red 'ribs'. The legs are at either sides with the knees bent upward and the feet flat on the ground. The arms are upraised at an angle holding a black sword across and above the head. The figure is wearing a dome-shaped hat, and the head is surrounded by outlines of red spikes with a split u at either side. There are wing-like features at either side of the arms. The figure is sitting on a dome shape that has five split u's surrounded by a red u form and outlined by black. Pencil inscription across the bottom edge reads '36/75 15/8/75 MY GUARDIAN ANGEL Roy Henry Vickers TSIMSHIAN TRIBE KITKATLA B.C.'. There is an embossing on the lower right corner for 'NORTH WEST COAST INDIAN ARTISTS GUILD member' with a salmon-trout head at the centre. The print is on a vertically rectangular, light brown paper piece.

Square design of human/raven transformation. Standing frontal figure in black and red has black eyes outlined by red extending into the nose and mouth, a four-pointed star shape in a black ovoid chest, outstretched wings, a body with an upside down red split u, upside down black u forms with cross hatching within, a tail that has four red u forms with cross hatching within, and three digit red protrusions (claws?). The wings have an upside down red split u and a sideways blank t-shape with a black ovoid at the end. Underneath the former two shapes, there is a red and black split u. Underneath the latter black ovoid at the end, there are red u forms surrounded by a larger black one and three feathers. There is a black hat-like shape on top of the head. At either side of the head, there are upside down red split u's that have cross hatching within and red u forms. Above the figure, there are black u forms, black u forms that have cross hatching within, black split u's that have a circle at either side within, red hand-like shapes, upside down red and black split u's, and upside down red double-notched split u's. Pencil inscription across the bottom edge reads '36/75 15/8/77 WEGET Roy Henry Vickers TSIMSIAN TRIBE KITKATLA B.C.'. There is an embossing on the lower right corner for 'NORTH WEST COAST INDIAN ARTISTS GUILD member' with a salmon-trout head at the centre. The print is on a relatively square, light brown paper piece.

Black rectangle divided into four quadrants. Each quadrant consists of a separate stylized image. Across the top, there are two figures underneath a red gable roof. Above, there are black diagonal lines on the left side and a notched black line following the roof to the right side. Frontal figure on the left side has arms raised beside the head. A red three digit hand on the right side holds a red split u in a black u form while the black hand on the left side has five digits. Has a black ovoid head with black eyes, and the other features are red. The shes has two red split u's in black u forms with a red line at the centre with rib-like red lines below. Large black ovoid in ovoid below with red legs bent up to the sides ending in round black feet with a single digit appendage. Large figure at the top right has arms raised to either side of the head. A five digit black hand is on the left side while a three digit black hand is on the right side. Black outlined hat over black ovoid head, black eyes with the other features in red. Series of black split u's, red u fomrs, and black u forms give a robe appearance to the body with large black ovoid in ovoids at the knees. Bottom right has a red circle with radiating red lines to the quadrant edges and an elongated salmon-trout ovoid across the centre. Bottom left has a diagonal frontal frog-like face with three digit limbs to either side and a crosshatched triangle filled lower half of quadrant. Divided from the frog, top right to bottom left, by notched red band, there are circles and split bands on the right and the bottom. Pencil inscription across the bottom edge reads '36/75 15/8/77 THE WEGET LEGEND Roy Henry Vickers TSIMSIAN TRIBE KITKATLA B.C.'. There is an embossing on the lower right corner for 'NORTH WEST COAST INDIAN ARTISTS GUILD member' with a salmon-trout head at the centre. The print is on a relatively square, light brown paper piece.

Silk-screened red and black halibut with an octopus design. The halibut is in profile and facing to the right side with two black ovoid eyes. The halibut's open mouth has a red tongue with a red split u behind the mouth and red u forms above. There is cross shape behind the mouth with a black split u. The lower half of the halibut has a four-notched black line, black ovoids, and a double-notched split u that has cross hatching within. There are four black split u's along the lower half of the halibut's body. Along the upper half of the halibut's body, there arefour red split u's surrounded by black u forms with a black split u at the end. The tail has a black ovoid, a red split u surrounded by a black u form, and a a black split v. The red octopus is in the upper half of the halibut. The octopus has a circle in a circle eye and five thick tentacles with split u's of various designs within. Pencil inscription across the bottom edge reads '98/195 19/1/76 - HALIBUT - Roy H. Vickers TSIMSIAN TRIBE KITKATLA B.C.'. The print is on a horizontally rectangular, off-white paper piece.

Silkscreen print design of a horse and rider. Both figures are in profile with the horse facing to the right side while the rider is facing to the left side. The horse has its head pointing upward at an angle with its front legs are up in the air while its back legs are on the ground. The horse has a circular black eye outlined by a tapering oval. There are two red u forms below the eye. The top of the snout has an upside down red u form. The open mouth has three upper teeth with an upside down red split u behind. The neck has a red split u and a double-notched split u. The ches has red u forms and a blank T-shape. The front joint is a black circle in a circle in a circle. The front legs have red split u's. The belly has two red u forms and a red split u. The back joint is a black ovoid. back legs have red u forms and a red split u. The mane and tail are flowing. The horse is outlined by black. The rider has a circular black eye outlined by a tapering oval with black brows above, red u forms, and a black L-shape on the face. The arms have red split u's, and they are pointing a bow and arrow behind him to the left side. The ground has three red and black double-notched split u's. Black ink inscription along the bottom reads '196/200 Roy H. Vickers 74'. The print is on a vertically rectangular, brown paper piece.

Silkscreen print design of an eagle (larhskeek). The head is in profile and facing to the right side. Has a circular black eye outlined by a tapering oval. The black beak has two sideways red u forms and a blank upside down u form. The open black mouth has a red tongue. There are two red u forms behind the mouth. Two small feather-like shapes are down along the top of the head. The neck has a red split u. The chest has a black ovoid with an L-shape and a t-shape. At either side, there is a sidewsays red split u surrounded by a black u form. Belwo this, there is a red u form above a smaller one and three red s-shapes, all of which are surrounded by a larger black u form. Below this, there are five black feathers. The red claws are inward on the body. The tail has has three feathers, each of which has a red split u surrounded by a larger black u form. Pencil inscription across the bottom edge reads '11/160 29/05/75 EAGLE (LARHSKEEK) TSIMSIAN TRIBE KITKATLA B.C. Roy H. Vickers'. The print is on a vertically rectangular, light grey-blue paper piece.

Silkscreen print design of the moon. The black moon has a circular face with circle in ovoid eyes. There is an ovoid below the eyes with the nose in between and two long, thin segmented lines angling inward to come to a point above the centre. There is a mouth and a chin. The ears have a sideways split u surrounded by a black u form. There are six protrusions around the circular face, four along the top and two along the bottom, each of which has a split u surrounded by a black u form. There is a black star shape at the top right corner. Pencil inscription across the bottom edge reads '84/200 2/7/75 THE MOON TSIMSHIAN TRIBE KITKATLA B.C. Roy H. Vickers'. The print is on a vertically rectangular, yellow paper piece.

Model pole standing on a proportionally large carved animal figure with four inlaid shells, hollowed out underneath. From top to bottom, the pole has a human with bear ears, a shark(?) and a beaver on the front. Minimal use of red and black paint on pole only. Signed on the base. Pole is secured to the base with a screw.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood. The top edge is slanted at an angle. Evenly spaced rectangular carved sections are located on the edge of the piece near the top and have embedded cedar bark stitching. Back has two rectangular indented notches at the bottom and top of the board. Nails on the top portion of the board.