A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; some red paint is visible towards one end. Longitudinal splits run from both ends. Many holes through the plank. Underside is covered with uniform chisel marks, longitudinal gouges and black patches.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; segments of black and red designs are visible over the entire surface. Several longitudinal cracks both ends. Small holes in the surface. Cedar bark stitching at both ends. Chisel marks, longitudinal cracks and black patch-like accretions on the plank's underside.

A long rectangular cedar plank with faded black and red Northwest Coast designs imprinted in the surface of the wood. Designs are more visible near the top of the plank. Bottom edge is jagged and top edge is cut at an angle. there are two horizontal cuts at the top and side of the plank. Back has a rectangular indentation near the top and bottom. Medium sized hole near the top of the plank.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black designs visible near the centre. Surface dotted with nail holes and one nail. Area of rotted wood near centre, extending to the underside of the plank. Underside covered in uniform chisel marks, patches of black discolouration and longitudinal gouges.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red formlines, ovoids, u forms and split u forms visibly cover the entire surface. Two large longitudinal cracks run from the ends towards the centre. A bright pink v-like letter in a circle is inscribed on the plank's underside near the bottom (?). Underside is covered in uniform chisel marks.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs cover the entire surface. Cedar bark stitching or the accompanying holes at both ends of the board. Underside has uniform chisel marks, longitudinal cracks, and two rectangular indentations at either end.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are visible over the entire surface. Holes for cedar bark stitching at both ends. Underside is covered in uniform chisel marks, has rectangular indentations at both ends, and is inscribed at both ends with a bright pink, encircled number eight.

A long rectangular cedar plank with faded red and black painted Northwest Coast designs imprinted in the surface of the wood. Circular hole on bottom half of plank. Two rectangular notches are horizontally carved to one side of the plank near on side of the centre of the plank and have cedar bark stitching. Two rectangular notches are vertically carved on the bottom and the top end of the plank near the other edge of the plank.

Cast bronze mask composed of a central human face surrounded by three other faces (top and sides) and five frogs. The face on top of the central face is smaller and has hair. The other two faces are at each side of the central face and may be human or frogs. Three frogs are sitting, legs adjoined, below the central face. The frog in the middle is facing up towards the central face, with its tongue caught between the lips of the central face. The other two frogs are facing away from the central face. Two frogs sit at each side of the top smaller face, their legs joining the top face and the side faces. Series #3/6.

Carved and painted model totem pole with mask, frog and eagle figures. All figures have unusually large wide eyes. The base is a longitudinally cut piece of bone. The back of the pole is flat and uncarved.