In the mid-1980s, self-taught artist James Lavadour determined to focus his attention on the landscape where he has spent most of his life: the Umatilla Indian Reservation outside Pendleton, Oregon. He learned the terrain by walking it, in an effort to internalize the structure that knits together the landforms of the Blue Mountains. In the paintings that resulted, Lavadour has distilled particulars of the land to a critical essence, creating a symbolic vocabulary of clouds, hills, rocks, and chasms. These works are both beautiful and haunting, alluding to the history, both geologic and human, that these sites contain. Lavadour has received numerous honors, including the Agnes Martin award and, recently, the Governor's Art Award. He is also the founder of Crow's Shadow Institute, whose mission is to provide educational and social opportunities to Native Americans through artistic development.

Most children's clothing among Plateau peoples such as the Umatilla was simply a smaller version of adult garments. A great deal of time and energy was spent providing children with articles of clothing and accessories so that they could look their best on special occasions. This remarkable wool shirt decorated with beaded strips and adorned with metal beads and ermine strips reveals one family's devotion to their child.

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler