Standing wood figures (ibeji). Two male figures, with the one (part a) slightly smaller than the second (part b). Both have black hair indicated by incised line patterns. Each figure has incised tribal marks, four of which are vertical at the top middle of the forehead with another three vertical on the cheeks. Part a has four more, while part b has five more tribal marks vertical along the sides of the face extending at a diagonal angle downward along the middle bottom of the face. More tribal marks radiate from and point downward from the naval. There are also vertical tribal marks on the chest. Extended arms have hands touching thighs. The legs of each figure are very short in relation to body and the feet are fairly large. The first figure (part a) has a necklace of long red, white, and blue cylindrical beads with smaller beads of a similar kind around its waist, right wrist, and both ankles. The second figure (part b) has two strings of tiny brown beads around its waist with anklets of a similar kind to the first figure (part a). Each stands on circular pedestal.

Wood figure of a man on platform of a staff. Wearing the grass skirt, and tall conical cap of a feticheur and holding a rattle his left hand. Figure has tribal marks on cheeks. There is a stuffed fabric band around the bottom. A string of cowrie shells is attached to the wood loop at the bottom.

Sitting figure representing a child with a bowl in front, waiting for breakfast. Figure is sitting on the floor with its left knee bent so that the left leg is lying in front and with is right knee bent so that the right leg is lying at the side. The elbows are bent so that the arms are resting just above the knees. Clothes are of a slightly lighter wood colour than the body. On a wood base.

Sitting figure representing a person stirring a pot (réwâh or ézé) over a hearth (mizâh or adokpô). Figure is sitting on a cylindrical object tapering upward. The knees are bent so that the legs are angled frontward and outward with the pot and the fire in between the feet. The arms are extended outward as both hands hold a spatula (n’nawou or akoumé-dati) to stir the pot. Clothes are of a lighter wood colour than the body. On a wood base.

Sitting figure representing a person dying cloth. Figure is sitting on a cylindrical object tapering upward. The knees are bent so that the legs are angled frontward and outward with a basket or a vase in between the feet. The arms are bent outward with the darkened cloth in between the hands. Clothes are of a lighter wood colour than the body. On a wood base.

Standing figure representing a woman with basket on her head going to market to sell. Her left arm is resting at her side as her right arm is bending upward to hold the basket. Her basket is a tall double piece which flares upward with the lower darker portion and has a tall tapering upward lighter upper portion. Clothes are of a lighter wood colour than the body. On a wood base.

A metal blade and handle. The blade curves upward with a flat edge and is pierced with five quadrangles at the middle and four lines parallel to the curved flat edge end of the blade. In the middle of the concave curve of the blade there is a flat arch protrusion which is also pieced in the middle. The design on both sides of the blade consists of grooved crescents patterning around the piercings, and along the edges. The handle consists of a figure with a narrow head that has hair curls, bulging eyes, three diagonal grooved marks on each cheek, and a protruding mouth, and chin. The figure's left arm is holding a weapon that has an arrow point. The body of the figure has a robe which flares out downward and has an grooved pattern of rectangles. There is a small grip for the handle in between the figure and the blade. Cire-perdue method of casting.

Sitting figure representing a person offering calabash of gurrie for sale at market. Figure is sitting on a cylindrical object tapering upward. The knees are bent so that the legs are angled frontward and outward with the calabash of gurrie in between the feet. The elbows are bent so that the arms are resting just above the knees. Clothes are of a lighter wood colour than the body. On a wood base.

Standing figure representing a woman with basket on her head going to market to sell. Her left arm is resting at her side as her right arm is bending upward to hold the basket. Her basket is a tall single piece which flares upward, is of a lighter wood colour than the body and has a flat circular brown top. Clothes are of a lighter wood colour than the body. On a wood base.

Sitting figure representing a person grating casava root for food. Figure is sitting on a cylindrical object tapering upward. The knees are bent so that the legs are angled frontward and outward with the casava root in between the feet. The elbows are bent so that the arms are just above the grater. Clothes are of a lighter wood colour than the body. On a wood base.