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Snake, part of Wind Altar03.325.3776.4

Museum Expedition 1903, Museum Collection Fund

Material
wood, pigment, cotton and feather
Holding Institution
Brooklyn Museum
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Snake, part of Wind Altar03.325.3776.2

Museum Expedition 1903, Museum Collection Fund

Material
wood, pigment, cotton and feather
Holding Institution
Brooklyn Museum
View Item Record
Prayer Meal Bowl04.69

Brooklyn Museum Collection

Culture
She-we-na
Material
clay, pigment and slip
Holding Institution
Brooklyn Museum
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Kachina Doll (Salimopia Thleana Suna)03.325.4663

Museum Expedition 1903, Museum Collection Fund

Culture
She-we-na
Material
feather, cotton, wood, pigment, cord and yarn
Holding Institution
Brooklyn Museum
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Snake, part of Wind Altar03.325.3776.3

Museum Expedition 1903, Museum Collection Fund

Material
wood, pigment, cotton and feather
Holding Institution
Brooklyn Museum
View Item Record
Effigy Vessel with Spout in the Shape of a Duck's Head01.1535.2212

By exchange

Culture
Pueblo and Keres
Material
ceramic and slip
Holding Institution
Brooklyn Museum
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Kachina Doll (Lasiapona)04.297.5347

Museum Expedition 1904, Museum Collection Fund

Material
wood, pigment, feather and hide
Holding Institution
Brooklyn Museum
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Water Jar (Tai-lai)04.297.5249

NATIVE AMERICAN PUEBLO POTTERY
Pottery making was practiced in the southwestern United States for at least two thousand years. Zuni and Cochiti potters created the three vessels here: two water jars and one drum jar, which would have had a hide stretched over the top for beating with drumsticks. Historically, women were the potters, collecting their own clays, coiling and finishing each pot by hand, and firing the pieces in open fires.

Pots were often traded and exchanged between pueblos, so that new ideas were constantly being generated. During the 1880s the advent of the railroad brought an influx of trading posts and tourists into the Southwest and entrepreneurial potters began selling to the non-Native market. Today, both male and female potters continue to form traditional works as well as generate exciting new forms of Pueblo pottery.

Culture
She-we-na
Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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Chief's Rattle or Bird Rattle05.588.7260

Museum Expedition 1905, Museum Collection Fund

Culture
Clayoquot Nuu-chah-nulth
Material
hardwood wood, brass tack, pigment, stone rattle and cord
Holding Institution
Brooklyn Museum
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Mantle34.1548

Alfred W. Jenkins Fund

Culture
Nasca
Material
camelid fibre
Holding Institution
Brooklyn Museum
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