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False Head for Burial Bundle or Mummy Mask41.428

Mummy mask of woven cotton, filled with cotton padding, and painted with features of the Oculate Being, two felines, and three double-headed snakes. Size: adult. Probable wearer: likely male. Vertical cotton warp. Cotton weft. Plain weave, predominantly warp-faced. Pigments with binding medium, hand-drawn.

Culture
Paracas Ocucaje
Material
cotton and pigment
Holding Institution
Brooklyn Museum
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Face-Neck Jar65.205

Ella C. Woodward Memorial Fund

Culture
Wari
Material
ceramic, slip and pigment
Holding Institution
Brooklyn Museum
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Face Set in Niche35.1805

Gift of Dr. Ernest Franco

Material
clay
Holding Institution
Brooklyn Museum
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Face of Jaguar Sun God35.1814

Gift of Dr. Ernest Franco

Material
clay
Holding Institution
Brooklyn Museum
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Face Neck Jar41.418

Face neck jar with polychrome decoration on red-brown slip. The vessel is bottle-shaped with a bulbous body and a tall, narrow neck. The neck is decorated with a modeled human face with a feline figure painted on the nose and two condors painted below the eyes representing tear lines. The body of the jar is decorated with a standing male figure wearing an elaborate tunic and holding a staff in each hand. One staff is surmounted by a bird head, while the other is surmounted by an ear of corn. The man's face, which is in profile, is decorated with painted geometrical designs and an ear of corn hangs from the front of his headdress. Condition: good. Text by GdeH 9/2011: In the Andes, maize did not have as pronounced a ritual significance. The main function has been its transformation into chica, a ceremonial drink of significant alcoholic content still produced and used for ritual events and feasts. During pre-Columbian times, corn, along with cotton, was the basis of trade between the coastal lowlands and the high altitude areas of Peru which provided potatoes and wool. This face neck jar has been made by a highland civilization, the Wari, who were active around present day Arequipa, but its imagery includes corn, a coastal element. The figure on this jar is a man of high status as indicated by the designs on his tunic. An ear of corn dangles from his headdress, and another adorns the tip of one of his staffs. Images of condors and felines that can be seen on his face are typically associated with power, and from these clues, it is possible to say that this figure’s imagery relating to corn is evidence of its importance to the Wari people.

Culture
Wari
Material
ceramic, slip and pigment
Holding Institution
Brooklyn Museum
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Face38.60

Carll H. de Silver Fund

Material
clay
Holding Institution
Brooklyn Museum
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Equador Animal Effigy Vessel39.279

Museum Expedition 1938, Dick S. Ramsay Fund

Material
clay and slip
Holding Institution
Brooklyn Museum
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Engraved Tripod BowlX523

Brooklyn Museum Collection

Holding Institution
Brooklyn Museum
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Peccary Effigy Vessel31.1685

Gift of Mrs. Minor C. Keith in memory of her husband

Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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Effigy Vessel86.224.170

Gift of the Ernest Erickson Foundation, Inc.

Culture
Moche
Material
ceramic and painted slip
Holding Institution
Brooklyn Museum
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