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Jaguar Effigy Vessel48.140.2

Usually found in funerary contexts, large jaguar effigy vessels with bold red and black designs on a light background were apparently highly desirable goods in ancient Costa Rica. Perhaps it was believed that objects depicting fierce predators such as the jaguar transferred their strength to the deceased. The selective placement of jaguar markings and imagery on this example suggests that the vessel represents a person and his jaguar alter ego. During trances Costa Rican shamans are believed to symbolically transform themselves into jaguars in order to move between natural and supernatural realms.

Usualmente encontradas en contextos funerarios, las grandes vasijas efigie con llamativos diseños en rojo y negro sobre un fondo blanco eran aparentemente muy cotizadas en la antigua Costa Rica. Quizás se creía que objetos que representaban fieros depredadores como el jaguar podían transferir su fortaleza al difunto. La posición selectiva de las marcas e imagen del jaguar en este ejemplo sugieren que la vasija representa a una persona y su alter ego jaguar. Durante los trances, se cree que los chamanes de Costa Rica se transforman simbólicamente en jaguares para moverse entre los mundos natural y sobrenatural.

Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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2 Textile Fragments, undetermined, Border34.561a-b

Size: undetermined or adult; probable wearer: undetermined or male. Plain weave consisting of a vertical camelid fiber warp and camelid fiber weft. Camelid fiber embroidery and fringe. Iconography: warriors holding staffs and knives (Ann Rowe). Two textile fragments decorated with human figures or warriors with arms raised holding a staff in one hand and a triangular-shaped tumi knife in the other. The figures are wearing what looks like a feather headdress with two streamers on one side, face paint, a tabbed, short tunic, and diaper-like pants.

Culture
Paracas Necropolis
Material
camelid fibre
Holding Institution
Brooklyn Museum
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Gold Necklace with Two Bells35.193

Alfred W. Jenkins Fund

Material
gold
Holding Institution
Brooklyn Museum
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Bone Club (Ch'it'uut)05.588.7267

The whalebone object is a flat sword-shaped club. On top of handle is a carved thunderbird with two pierced holes. Due to an old break, the thunderbird's beak is missing. As found on many clubs, an incised, upside-down head is at the bottom. Each side of the club has a row of small round holes linked to each other by a simple vertical incised pattern. The front has five round holes; the back has three. The object has a rich patina indicating use and age. Regarding object above, see Steve Brown, "The Spirit Within," containing story told on the west coast of Vancouver Island by whaling nobility representatives (Nitin or Dit-i-Daht).

Culture
Nuu-chah-nulth
Material
whale bone
Holding Institution
Brooklyn Museum
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Belt46.96.6

Charles Stewart Smith Memorial Fund

Culture
Great Lakes
Material
hide, bead and cotton
Holding Institution
Brooklyn Museum
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High Beaded Boots50.67.25a-b

High hide boots with beaded trim in chevron pattern rows along calf and around vamp.

Culture
Apache
Material
hide, rawhide hide and bead
Holding Institution
Brooklyn Museum
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Model of Chief's House05.589.7786

By exchange

Culture
Haida
Material
wood
Holding Institution
Brooklyn Museum
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Jacket43.201.108

Anonymous gift in memory of Dr. Harlow Brooks

Culture
Cree
Material
hide and eagle claw
Holding Institution
Brooklyn Museum
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Medicine or Tobacco Bag43.201.8

Anonymous gift in memory of Dr. Harlow Brooks

Culture
Apache
Material
buffalo hide and pigment
Holding Institution
Brooklyn Museum
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Beaded Purse32.2099.32547

Bequest of W.S. Morton Mead

Culture
Blackfoot
Material
bead, hide and metal
Holding Institution
Brooklyn Museum
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