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Roach63.201.3

Dick S. Ramsay Fund

Culture
Plains
Material
deerhair and porcupine guard hair
Holding Institution
Brooklyn Museum
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Rattle50.67.99

This type of rattle could be made by any Northern Plains tribe. Probably ceremonial and may be medicine society (?).Coindition poor.

Culture
Sioux
Material
wood, gourd and hide
Holding Institution
Brooklyn Museum
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Pipe Broken in Two Pieces43.201.254a-b

Anonymous gift in memory of Dr. Harlow Brooks

Culture
Plains
Material
catlinite
Holding Institution
Brooklyn Museum
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Pipe43.201.236

T-shaped pipe bowl in red pipestone.

Culture
Plains
Material
catlinite
Holding Institution
Brooklyn Museum
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One of a Pair of Tiny, Woven, Beaded Bracelets43.201.58a

Small beaded band with white, blue and red geometric design . It has a green banded edge with short beaded fringe.

Culture
Plains
Material
bead
Holding Institution
Brooklyn Museum
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Whetstone Case43.201.25

Anonymous gift in memory of Dr. Harlow Brooks

Culture
Plains
Material
bead, hide, brass button and metal bead
Holding Institution
Brooklyn Museum
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War Bonnet43.156.6

Modern feather bonnet made over a felt hat base. It's construction seems to be very poorly made so it was possibly made just for sale.

Culture
Sioux
Material
hide, feather, bead, ribbon, flannel and pigment
Holding Institution
Brooklyn Museum
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Bowl38.6

Gift of Peter Steckler

Culture
Southwest
Material
clay and slip
Holding Institution
Brooklyn Museum
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Fragments of Child's White Fringed Tunic03.250

Museum Expedition 1903, Museum Collection Fund

Culture
Southwest
Material
cotton
Holding Institution
Brooklyn Museum
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Sidefold Dress50.67.6

This side fold dress consists of six pieces: the main body of the dress, the flounce, the shoulder flap, the top bodice, and two hide thongs as a second shoulder strap. The horizontal seam is low and the folded over portion is shorter and would barely cover the breast. The folded over flap is even shorter in the back. The hide is worked so that the flesh side of the skin lies against the wearer, with the fur side out. The flounce is laced with hide thong. The seam of the dress, the blue and white pony beads on the shoulder strap, and the hem tabs are all sewn. It is likely that the two bottom tabs at the left side of the dress are formed from a remnant of the foreleg of the animal or are a decorative form to resemble this pattern technique imitating the animal's legs. Ten quilled stripes are worked around the skirt of the dress, horizontally, in measured registers of blue (once blue-green but faded since original BMA acquisition) and brown quill, separated by shorter sections of white porcupine quill where red tufts, once the tassels, of yarn emerge. Small black lines separate each quilled section. Some vertical marks of what is probably ochre appear at the ends of the quilled bands. Tin cones and a few copper cones are sewn to the bottom of the flounce, more or less at knee length, and on the two bottom tabs, which are further elaborated with an edging of blue and white beads. Five pairs of copper cones are sewn up the side seam. If the shoulder strap is examined from above, blue and white beads can be seen ornamenting the seams. A single row or blue beads edges the sides while the front and back seams display eight bands of two rows of white beads alternating with two rows of blue pony beads. See Jarvis supplemental file in Arts of Americas office or Brooklyn Museum Library.

Culture
Yankton, Nakota and Sioux
Material
buffalo hide dyed bird ?, porcupine quill, copper metal, tinned iron, copper cone, pony glass bead, yarn, pigment and sinew
Holding Institution
Brooklyn Museum
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