The high heeled tennis shoes, size 6, used for the base are made by shoe designer Steve Madden. Then the artist, Teri Greeves, hand sews all the beads and original design elements onto the canvas base. The design is inspired by the Great Lakes tribes’ designs, as Teri's husband, furniture designer, Dennis Esquival, is Anishinabe and she wanted to do something that reflects his region. Floral motifs, in complimentary colors are on the inside panel of each shoe with a coral, spiny oyster shell cabochon forming the center of each flower. The outside panels depict contemporary jingle dress dancers swaying to the throbbing drums and singing that accompanies these popular dances performed during powwows. During these dances each woman competes not only in dance performance but in over-all quality and beauty of their dance regalia. Before the 1830s the jingles on these dresses would have been made from porcupine quills but this material changed sometime in the mid-1800s to commercially traded tobacco can lids, rolled into cones. When prolifically sewn on to the dresses every movement would make them jingle. Each woman depicted on these shoes wears full regalia, inclusive of beaded dress, moccasins, and a belt with real silver conchos. This detailed beadwork melds traditional technique with modern day commerce into a lively, fun and remarkable sense of contemporary aesthetics. The shoes can stand alone as aesthetic sculptural works or as examples of creative change over time.

08.491.8983 basket is on the right. (See also 08.491.8679 description.) The cooking basket (bush-ka) has the design of the mountain-quail top-knot. This design was Wilson's best known design. The mountain-quail has a very long, straight top knot. Author Sally Bates suggests that this design may have been favored as the weaver's name, Oymutnee, meant "the sound made by a quail." Baskets such as this one seem to be characteristic of the Maidu community of Mikchopedo at Chico, CA.

Ceramic, high shoulder bowl with geometric black slip design of organic forms infilled with black stripes on grayware slip. Condition good.

Tall, stately female with elaborate tablita (headdress). Her arms and forearms are broken off. This complex Kachina may take on different personae. She may become Polimana, Butterfly Maiden, when she performs during the March Angl'wa dance ceremonies. Or she may be a troupe of four Corn-grinding maidens during the same ceremonies. Both performances are prayers for rain and bountiful harvest. Lastly she can perform a special dance anytime if sponsored by a kiva.

This is a round bowl with a creme colored background. The design on the exterior is three sets of zig zag lines in black. The interior has an orange colored, oval bodied antelope with two black legs and a black head. A long spear runs through the hindquarters of the antelope. The antelope faces the opposite end from a black, crouching hunter figure, holding a bow and arrow.

This is a cream colored bowl with stepped rim outlined in two black lines. Exterior design is black avanu with a heart line that curls around the shoulder and one black horned toad inset within each exterior step. Interior of each step has inset a dragonfly and two tadpoles. Interior has a very worn, red horned-toad. Paint is flaked and abraded especially on interior. Condition: There is some black discoloration from firing, and a large crack in one stepped projection which was repaired.

Tall, thin kachina doll painted russet red. He wears a cotton dance skirt, large feather ruff and feathers on top of his head. He carries a dance stick (or flute) and rattle.

This Kachina represents Chaveyo and according to Barton Wright in "Classic Hopi and Zuni Kachina Figures" he is one of the most fearsome beings. If a youngster or an adult misbehaves badly this Kachina may come looking for him unless he mends his ways. The characteristic identifiers include nakedness, dots on legs and/or feet, crosses on his cheeks, and a cape thrown over the shoulders.This Kachina is in the grouping normally referred to as an ogre Kachina. It has bulging eyes and a protruding snout exhibiting a fierce aspect. In dances Chaveyo uses this ferocity to scare the children and even men into behaving. He appears during the Spring anytime but especially during the Powamuya (Bean Dance) and the Palolo Kongi (Water Serpent Dance) being badgered by clowns until he whacks them away.

This small piece of shell in the shape of a curved fish or moon phase has been inlaid with resinous material and turquoise.

This kachina doll is carved similar to a tube with no arms. His legs are rudimentary. His nose is long and also like a tube. He wears a long cotton dress and feathered headdress.