The figure is the third from the left (in front). No face can be determined on this highly abstracted figure. It is perched on a small pplatform. Grooves run down the front as if to indicate limbs. See also 03.325.4527- 34. These figures were all found together inside a painted pot. They were purchased from the German trader, Cronmeyer.

The figure is on the extreme left, back row. This figure has slit mouth with closed eyes. His arms are held in front with his hands clasped. Rudimentary legs are folded and end in feet. See also 03.325.4527- 34. These figures were all found together inside a painted pot. They were purchased from the German trader, Cronmeyer.

The figure is on the far right (in back row). This figure has an open mouth with closed eyes. Both of his arms are held across his stomach. His head is plain. See also 03.325.4527- 34. These figures were all found together inside a painted pot. They were purchased from the German trader, Cronmeyer.

Museum Expedition 1903, Museum Collection Fund

Reviewed by Tim Ramsey, Southern Cheyenne/ Choctaw bead artist 10/13/04. He identified these as being Kiowa. These moccasins are painted blue (that discolors to greenish hue) with a round, green beaded medallion as a front flap. There is extensive hide fringe, painted dark blue, on the front flap and the back heel seam. Reviewed by Clyde M Hall, Shoshone Bannock, Laine Thom, Shoshone Goshiut Pauite, Melvin G Brewer, Ph.D., Internal Indian Affairs, Roberta Jones and Josephine A Williams, on Dec. 29, 2004. Consultants felt these were Kiowa. E. Hansen, Curator, Buffalo Bill Plains Indian Museum, 3/13-16/2007 Southern for sure and maybe Kiowa or even Wichita because of medallions and two lines going down to the toe and the flap. Blue color unusual as it is so very vivid, unusual.

This elaborate shirt is decorated with beads and quillwork executed in several techniques. The bib has a heart and two flower sprays in red, green, and blue porcupine quills. The top edge is decorated with blue pony beads in a two-bead edging technique: red garnet beads were applied along the sides with the same technique. An inner broken line border of small red and black seed beads are also sewn on the bib. Two"rays" or "spokes". The inner ring, now grey, is surrounded by a ring of light blue which is then encircled by a red ring. The radiant rays are filled with areas quilled in pale yellow, light blue, and orange. Each entire rosette is encircled at the seam by large blue pony beads. The shoulder seam "coverings" were finely woven on a loom, but are now very deteriorated. A geometric pattern of red and blue "Xs", interspersed with red and blue diamonds are edged with small squares in red, black, and blue. The shoulder strips are checkered, quilled with three lines of colored squares in orange, blue, purple, black, yellow and white and finished along the sides with a zigzag pattern. The seam ornaments and shoulder strips are both edged with a single line of the blue pony beads. Tabs along each side and along the sleeves have pierced decoration. The "cuffs" are ornamented with two lines of blue pony beads. First, a single line and then a double line closer to the opening.The side seams and sleeves have long fringes, but very tiny fringes at the wrist, with every other one wrapped with orange quills. The comparitively simple decoration and unwrapped fringe are possibly due to the fact the shirt produced exclusively for sale and so rated less decoration. See Jarvis report in Arts of Americas' files.

The scene depicted shows the fight between a Native warrior (possibly Cheyenne) and a non-native person. The warrior is wearing long leggings with a stripe and a blue shirt. Two feathers are on his head. He is carrying a shield with a circular design decorated with feathers and using a long decorated spear. His horse, that he is riding barebacked, has his tail bobbed, dyed and possibly wrapped for battle. The non-native person has been unseated and is falling off his saddled horse. He wears a black coat over checkered pants. His derby style hat has fallen off his head. These drawings are done by tearing out paper from ledger books that were used by army and reservation post managers as a substitute for using hides- the traditional medium fro such drawingsfor offical art papers.

By exchange

Anonymous gift in memory of Dr. Harlow Brooks

This pair of leggings was acquired as a set with shirt 50.67.1a. Like most men's leggings they extend from the top of the foot to the top of the hip and were meant to be fastened at the waist with a belt. The leggings are long enough that a large portion of skin hung over the wearer's belt and fit the leg tightly. The bottom tabs are actually the forelegs of the animal and they might be left to drag behind or rolled up and tied around the ankle. The proper left legging is colored red, while on the right it is a dark brown and this creates a mirror image of the colors on the matching shirt. Both leggings are painted with brown vertical stripes. The pinkish cast over both leggings and shirt has been reported to be earth paint; the brown identified as possibly limonite found in shallow pond bottoms or at the edges of bogs. The stripes seem to be applied with a stiff instrument, perhaps a bone brush. A large black and white (eagle?) feather is attached to one legging. Scalp locks are fastened in a series, as a fringe on the outside of the legs. See Jarvis report in Arts of Americas files.