Male kachina doll , Kokopelli, with horsehair and large feather attached to top of head. Face is black with white horizontal stripes for eyes. A similar vertical stripe bisects face. Nose is cone-shaped and painted with pattern of horizontal stripes. Body decorated in red and light green. Belt is wide and made of white cotton twine. Right hand holds rattle. Back carved as a hunchback. Surface wear.

The large vessel or olla has a round body, a short, wide neck and a wide mouth. Approximately 2/3 of the surface is decorated with a red, white, and black floral motif design.The entire surface of the pot is highly burnished and the lower section has oxegen fire flare burn marks. It would be used as a water jar.

The object is a spindle whorl carved on one side with a human form surrounded by a two headed snake. There are traces of red pigment in the carved detail. There is a theory that carved spindle whorls, as opposed to plain whorls, were used for spining mountain goat wool, the material used to make ceremonial garments. The object is in good and stable condition with no splits or cracks in the wood. The hole in the center is slightly worn and a small section from the rim on the back is missing.

This spoon is carved from one piece of antler. The handle has a gracefully curving zig zag form with a rounded end with a hole in the center. The spoon's bowl is darkened in color.

The spoon is carved from one piece of wood. The short handle has a leaf like form of jagged projections along each side.

Buff colored pottery bowl with dark red slip figures painted on exterior and interior. Rim is also painted with red slip. Figure painted on the exterior is a large red deer. On the opposite exterior side of the bowl is a small abstract design that may be the artist's signature. Figures representing a man with a headdress (bottom of the bowl), a man with a hat on horseback, and 3 deer (facing right) are painted on the interior in red slip.

The wooden rectangular container is very small. Its sides are continuous and folded at the corners except for one that is secured with fiber ties. The bottom is sewn to the sides with light-colored ties (possibly cotton). It was originally covered with a natural resin varnish but from handling over time, much of it has rubbed off from its bulging sides. Overall, the box is stable and in good condition. Small bent-corner bowl with fluid engraving on all four sides. Condition is good. Peter NcNair 3/29/2005 Peter comments, "Best small box I've ever seen." It is a reduced rendering of a much larger box.

Carved stone pipe representing an eagle perched crosswise on a thin, curving platform. The bowl of the pipe is on the bird's back, and the stem is part of the platform. Wing and tail feathers are rendered in realistic detail but the rest of the body, feet and head are worked with minimal embellishment. Eye sockets are inset with lead. Such platform pipes are typical of the Hopewell culture, but this eagle is unique for the addition of the lead eyes and its very fine workmansip. There are a few equidistance tool marks cross wise which make it unusual as well. Condition: excellent.

The object is a carved feast bowl in the form of a seal. The bowl is saturated with eulachon or candlefish oil, which was eaten as a delicacy and used to soften dried berries. Although the bowl is cleaned by conservators from time to time, the oil continues to advance towards the surface, especially from the interior where the oil is heavily embedded. The object is stable and in fair condition. There is an old crack in one end that is stable. There are two round holes through the bottom of the bowl, one at each end.

This woven belt is unusual in that it has one coral bead and one white bead tied to its fringe as well as a length of red ribbon. This would not have been visible when the belt was worn as the woman would have tucked the loose ends behind.