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Bowl34.4085

Alfred W. Jenkins Fund

Material
ceramic
Holding Institution
Brooklyn Museum
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Pendant70.151.12

Gift of Jerome Furman

Material
jade stone
Holding Institution
Brooklyn Museum
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Bowl02.257.2563

Riggs Pueblo Pottery Fund

Culture
Ancient Pueblo
Material
clay and slip
Holding Institution
Brooklyn Museum
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Jar2013.64.4

Polychrome jar with moth designs. Rachel is the daughter of Priscillia Namingha Nampeyo and Great Grandaughter of the Nampeyo of Hano-Where our curator Stewart Culin lived when in Hopi.See works by her., 51.243.3.

Material
clay and pigment
Holding Institution
Brooklyn Museum
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Canteen2013.64.8

Polychrome pottery canteen with quail and plant design on the flat side centered inside a large flower. Hilda is the sister of Robert Tenorio, the noted potter from Santa Domingo) and she learned pottery from him. Initially Hilda and Arthur made the pots and Robert deocrated however within two years Arthur was doing all of the painting. They used natural clays, and the Rocky Mountain bee plant (wild sopinach) and honey to make their black color and thus achieve the soft glowing tones.

Material
clay, pigment and leather
Holding Institution
Brooklyn Museum
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Water Jar2013.64.2

Water jar with all over painted white and black half snowflake forms in fine geometric designs.Victorina is related to Dorothy Torivo, (her Aunt) the most well-known potter in Acoma. Sandra specializes in designs with step like designs, checkerboards, snowflake or half snowflake and other very fine lines as seen in this example. She has won numerous awards: Santa Fe Indian Market 1st place, 1996; second place 1991; NM State fair 1994 first place, Eight Northern Pueblo Fair 1st place, 1996. Her pots are made in the customary manner, gathering her own clay, local plants, crushed rock and water for paints, stone polishing, and open pit firing. She does not totally mark her designs prior to painting but sometimes blocks out squares of design elements. Her use of only black and white indicates this pot is one possibly in the earlier part of her artistry. Today she often adds a russet color within her designs.

Material
clay and pigment
Holding Institution
Brooklyn Museum
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Bowl with Mimbres Motif2013.64.6

Bowl with Mimbres Motif and triangular human forms. Marie works within the Acoma tradition when making older styles of pottery. But when the form is contemporary, as seen here with its rippled edge and open bowl form, she creates innovative designs that are still rooted in Acoma such as the Mimbres stule figures. Marie S. Juanico is from the Acoma Yellow Corn Clan and has been an active potter since 1963. She was taught by her mother, Delores Aragon, and in turn, Marie taught the art of traditional pottery to her daughter, Delores Aragon.Marie has won many awards at the Santa Fe Indian Market, the New Mexico state Fair and the Inter-tribal Indian Ceremonial which is held in Gallup, New Mexico. Her favorite designs are Mimbres animals, parrots, rainbows and snowflakes.

Material
clay and pigment
Holding Institution
Brooklyn Museum
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Circular Shallow Bowl43.201.198

This "bowl" appears to be more like a platter form. It is the traditional highly polished black with a circular feather design inscribed around the bowl vertically radiating from the center.

Culture
Po-who-ge-oweenge
Material
clay and slip
Holding Institution
Brooklyn Museum
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Bowl2013.64.3

Micaceous pottery bowl with scalloped rim and black fire marks.The micaceous clay comes from the Manzano Moutains in New Mexico- a small range southeast of Albuerquerque. The clay is blened with other clay as it is quite rough with little plasticity. Coiled, shaped, fired and polished int he traditional manner it is a very forgiving clay and can be reworked and shaped. It is a great heat conductor in firing. Since the clay has such flexed particles that add their woin shimmer it is most often carved instead of painted.

Material
clay
Holding Institution
Brooklyn Museum
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Dish2013.64.7

Micaceous dish with deeply carved, abstracted rainbird design.The micaceous clay comes from the Manzano Moutains in New Mexico- a small range southeast of Albuerquerque. The clay is blened with other clay as it is quite rough with little plasticity. Coiled, shaped, fired and polished int he traditional manner it is a very forgiving clay and can be reworked and shaped. It is a great heat conductor in firing. Since the clay has such flexed particles that add their woin shimmer it is most often carved instead of painted.

Material
clay
Holding Institution
Brooklyn Museum
View Item Record