Low truncated cone hat woven from spruce root and painted with a design in black, red and blue. The design painted on the crown of the hat is of an animal' s face with small eyes surrounded by blue, with a toothy mouth bordering the rim. the design on the rear is highly stylised, having two circular faces and many lines.; Good.Condition: Poor and in need of conservation. A large split in the spruce root runs horizontally across the crown and through the eye designs.

Carved cedar raven mask. Details of eyes and beak and formline designs highlighted in red, black and green paint. Articulated beak manipulated by strings inside the mask which are attached to wooden stick which hangs down the back. Elaborate red cedar bark fringe along top of head and strands of cedar bark hang down from back and bottom of mask. The inside of the mask is padded with foam. Good condition: some of the cedar bark fringe is split and brittle.

Limited edition silk screen print The Old Fisherman by William Bellis. Central image of a heron combines naturalist profile with form line designs in blue and black. According to the artist's description I named this print The Old Fisherman because in the legends and stories of Haida mythology, the blue heron often has the ability to transform himself into a human being in the form of an old, wise fisherman. Sometimes when you are being pursued and in danger he will hide you under his wing until the danger has passed and then impart you with special knowledge to help you on your journey. And also because, like the Haida people he makes his existence at the edges of the land sea and air. Signed by the artist with 58/225 (numbered edition). Condition: excellent.

Limited edition screen print Haida Box by Jeff Greene with formline designs in Sienna red and black. Bilaterally symetrical design features a frontal image of a creature with human hands and profile bear-like designs at the sides. Possibly a transforming bear although the accompanying description (see note) describes the faces on the end panel as of mousewoman. Crest designs on historic bent boxes were typically ambigious. According to the artist This is a traditional Haida design. It is one of the best I've ever seen. I wanted to do a print of it so that it isn't locked away. Signed by the artist with 7/100 (numbered edition). Condition: excellent.

Carved cedar rattle in the shape of a raven. The body is painted black with incised ovoid designs highlighed by the natural colour of the wood. Long horse(?) hair tail attached to a cylindrical piece of wood. The tail is decorated with 4 wooden paddle-shaped attachments (plain, white, red, black) representing the 4 directions and a piece of abalone shell representing the ocean. The artist's mark is incised underneath the chin. Condition: excellent.

A cedar mask carved by George Pennier called Mother Earth Looking at the Universe.. The mask has heavy black eyebrows, pierced eyes rimmed with black and red, red nostrils and an open red lipped mouth. The majority of the face is painted with white and blue, representing the sky and stars. The upper rim of the mask has a row of white goose feathers. The inside of the mask is smoothed, and signed by the artist. The mask was carved by a Coast Salish artist, George Pennier, a resident of Chilliwack, B.C. The style of the mask is Northern rather than Coast Salish, attributed to the fact some artists carve in styles that are not necessarily their own tribal group. The mask is an expression of the artist' s own place within the universe, and was inspired by looking out at the night sky in Chilliwack. Carved in a traditional style the subject matter is very personal, concerning identity and the place of the individual within the world. The mask also references the concern for the environment, Mother Earth exhibited by many First Nations artists, and is an aspect of a Pan-Indian culture which is becoming more prevalent in North America. The mask was bought directly from the artist. Excellent

A silk-screen print of Twin Thunderbirds that is based on a Coast Salish spindle whorl design. The print is black, and is dated 05/81. The print is by Susan A. Sparrow (her married name is Pointe), who is a Coast Salish artist. She was recently commissioned to produce a series of banners by Vancouver International Airport which hang in the check-in hall. The print was purchased at the Coqueleetza Native Art Shop in Chilliwack which is run by the Sto' lo Nation. The print cost 54 Canadian dollars; Good

Carved and painted halibut bowl. The bowl has the characteristic flat fish shape with the lopsided halibut face. Boldly painted in turquoise blue with black U-forms around the halibut fins, a larger ovoid at the tail and two projecting U-forms with secondary red designs. Black eyes and a red mouth. Shallow bowl with a flat base.The artist belongs to the Nimpkish tribe, born in Alert Bay, B.C., in 1955. She now lives in Chemainus, Vancouver Island, and through marriage to a Coast Salish man is now a member of the Penelakut Band. Lorraine is the great grand-daughter of the late Mungo Martin.; Good

Finely carved spoon carved with a raven headed handle from alder. The raven' s head is highly stylised. The spoon is signed underneath the neck of the handle. The artist belongs to the Nimpkish tribe, born in Alert Bay, B.C., in 1955. She now lives in Chemainus, Vancouver Island, and through marriage to a Coast Salish man is now a member of the Penelakut Band. Lorraine is the great grand-daughter of the late Mungo Martin; Good

A raven bowl carved from alder. The bowl is a stylised raven with U-forms carved into the wings folding round the bowl body of the bird. The bowl is signed underneath. The bowl was carved by Lorraine E. Charlie, a Kwagiulth artist. It is a remarkably stylised and beautifully simple rendering of the often produced Raven. The bowl is modern but references the traditional subject matter and style of Northwest Coast art form. This particular bowl is a working piece, a prototype of further bowls; originally not for sale but happily sold to become part of a museum collection. The artist belongs to the Nimpkish tribe, born in Alert Bay, B.C., in 1955. She now lives in Chemainus, Vancouver Island, and through marriage to a Coast Salish man is now a member of the Penelakut Band. Lorraine is the great grand-daughter of the late Mungo Martin; Excellent