Pair of single stopped whistles with internal ducts without fingerholes, made from one piece of wood. The pitch is E and G, one duct painted red, one green. Repaired in Cavendish Lab. 1971. Numbered 146.; Good

Single stopped whistle with internal duct, without finger holes. Pitch is Middle C. Repaired in Cavendish Lab. 1971. Flute is numbered 145.; Good

End flute with plug and five stops. Made of wood tapering from mouthpiece almost to a point at the far end which is open. Formed of a trough-like portion with a flat cover lashed on with string.; Good

Whistle in the form of a tapering cylinder with closed end and consisting of four separate whistles. Bound round the middle, and was probably also bound around the bottom edge but this has been lost. There are several traces of red paint on the whistle.; Good

Straight wooden end blower or trumpet, of two halves bound together longitudinally, with bark at the mouth end and gut at the other. Four pieces of red ribbon are stretched across the air passage. Described on label as a dog-eater' s whistle.; Good

A wooden rattle carved in the form of a ?pigeon with a small head, wings and tail. The handle of the rattle is bound with string to keep the two sections together. Inside the rattle small objects can be heard. The bird has been painted blue and black.; Good

The central section of a flute carved in argillite. At both ends are pieces of metal (lead or pewter) set into the argillite, one end is a tube-like section covering a slightly narrower end, the other is a shaped inlay. Along the length of the flute are three frogs (one has had its head broken off). In between the frogs are the stop holes, positioned in decorative bands of curleque and leaf motifs. At the metal inlay end is an eagle with a protruding belly, tail flat against the flute barrel, and wings and legs wrapped round the back and sides. The eagles' beak is slightly open and its head is raised from the surface, behind the head is grooved fan-like design.; Good

A small set of clappers painted red, green and black in the form of a ?bear cub or ?dog. The head of the creature is finely carved in classic northern style. The clappers are split in half and have been hollowed out, probably to allow the sound to reverberate in these chambers. An extremely narrow, and presumably once flexible, section extends towards the handle. The narrow section has been broken and pinned. The handle is bound together with twine. Metlahkatlah has been written in ink below the handle.; Good

Two ivory soul catchers one inlaid with haliotis. The soul catchers are beautifully carved with U-forms and ovoids, the double headed creatures having gaping mouths. It is difficult to identify the creatures, it has been mistakenly assumed they are sisiutl (G.Crowther).; Good

The catalogue card states this is a headdress, however it is more likely to be a epaulette which was worn on the shoulder (G.Crowther). The epaulette is carved in the form of a killerwhale fin, with a humanoid face at its base. The fin has two holes along its length and three painted bands of black. The face at the base is in profile, and has prominent black eyebrows, a greenish eye-socket, black eyes, and red paint accentuating the nostrils, cheeks and lips. the face is carved and painted. It is virtually identical to 1885.66.5, except the holes cut through the fin are painted red, and it is slightly smaller.; Good