Pair of costume bells on braided loops. Each round bell is shiny brass and flared at the bottom, with decorative rings carved on the outside. The clapper is a round brass ball attached on the inside by a thin metal hook. Each bell hangs by a steel loop on a thick cord of braided yellow synthetic fibre with red accents. The cord ends are unsealed and frayed. (Also, see mask: 2956/201 a, and costume: 2956/201 b-d.)

Rattle shows five people (angels?) dressed in white robes cinched with red wool belts. Two also wear woolen skirts in red, blue, green, and white stripes with a shoulder sash. Each figure has short brown hair with a blue ribbon, a pink face, and stitched-on features in black thread. Each is connected to a small, round, two piece, unpainted wooden clapper. Bottle caps are attached to the bottom of the rattle’s cross shaped platform in pairs. The long handle protrudes from the bottom of the platform and is made of wood and metal, decorated with plastic tape in red and white.

Small carving of a polar bear and seal (part a). The bear stands on four legs in a wide stance, with a small carved tail at back, protruding ears atop the head, and engraved eyes and mouth on its face. The bear is consuming the seal, whose head disappears into the bear’s open mouth. The seal has two protruding fore flippers and one extended rear flipper. The other rear flipper is missing. A short wooden dowel is inserted into the stomach and held by adhesive, behind a small bored hole. Two black dots are painted on the stomach near the dowel. The stand (part b) is thin and flat, curves slightly to the left, and is also made of tusk. Through one end are bored two holes, one of which has been filled with adhesive and the other of which fits the wooden dowel of the seal. On the top near the centre, four dents have been carved to hold the feet of the bear. Adhesive fills the back two.

Red felt bag with a long fringe. The bag is round at bottom, with straight sides and top, and a long handle. Handle and felt embellishments on bag are in black felt. On the front are four 6-petal flowers made from moose hair tufting, dyed red, purple and yellow and interspersed with green leaves of the same material. A strand of twisted grey hair makes a circle under the flowers and leaves. On the bag’s edges is sewn a thick fringe of deer skin. The interior of the bag is lined with cotton in a small floral pattern. The closure sits at the centre of the bag’s opening, and is a strip of black felt with a metal snap.

Tall bronze sculpture in the form of an abstract standing figure.

Long green wrap skirt. Skirt is lime green in colour, made of a light synthetic fabric. Several pleats have been sewn into the top, under a thin unbleached cotton waistband with long ties. A thick stripe of dark green sequins and translucent tube beads edges the skirt’s bottom hem in inverted ‘u’ shapes. Garment is otherwise undecorated. Skirt is fully open to one side.

Woman’s opera costume shirt, lime green in colour and made of a light synthetic fabric. The body of shirt is undecorated, relatively short, straight at sides, with a front button panel made of unbleached cotton with a small rounded neck-opening. Sleeves are wide and scooped, heavily embellished with green sequins and translucent cylindrical beads in the pattern of a dragon with a long, scaled body and clawed feet. Clouds and swirls in green and red surround the creature. The edges of the sleeves have a wide band of green sequins and translucent beads in ‘u’ shapes.

Back skirt panel for a woman's opera costume. Garment consists of three floor length panels, a large centre one and two thin side pieces that slightly overlap it. All are edged with white rabbit (?) fur. The panels are completely covered in green, red and pink sequins, patterned to show scaled dragons, each gripping a red ball. The panels are attached to an unbleached cotton waistband with long cotton ties. The back is lined in a plain white synthetic fabric.

Opera costume skirt panel. Panel is long, widening slightly toward the scalloped bottom, and is covered entirely on the front by green sequins in the shape of two dragons grasping at a red and pink ball. The panel is edged in white rabbit fur, and lined on the back with a shiny white synthetic fabric. The waistband is made of unbleached cotton and has a long tie at each corner.

Opera costume pants. Long, wide-legged blue cotton pants with a wide band of natural cotton at the waistband, unfinished on top edge. Leg hems are embellished with a simple cotton ribbon.