Medium size ceramic wine pitcher with wide mouth. Spout and flat handle at rim. Floral hearts and key design on surface.

Large ceramic wine pitcher with wide mouth. Spout and flat handle at rim. Yellow floral and heart design on surface.

Orange-brown clay vessel for vinegar with long neck and bulbous top. Long flat handle with two incised lines. Yellow spiral decoration on surface.

Small ceramic whistle or ocarina, with an orange ribbon design on one side and plain white on the other.

Ceramic whistle in shape of a baby in a yellow dress on a red throne-like high chair. Incised design on green base. A pink flower with two gold cones is at the top of the chair back.

Ceramic whistle or flute. Long thin flute shape, with painted design of two red bands, one at the end and one in the middle. One green band is painted between the red bands.

Woven, almost square, patterned mat. Woven design is in shades of beige, light brown and black which form wide horizontal and vertical bands, diagonal bands along the edges and a dark and light H pattern in the horizontal bands. There is a thicker border woven over the mat on both sides, about 5 cm from the edges, that runs all the way around the square. The back is similar to the front except much of the black area is done in a light brown weave so the H design is in beige and light brown.

Large horizontally rectangular painting. At the left of the composition are two male figures with brown skin fighting beside a case full of gold coins, while a male with pink skin and a white hat walks away from them at the right of centre. All three figures have shell-like heads. The right end of the painting has a wide grey stripe with four red rectangles and eight brown squares arranged in a vertical, linear pattern. Artist initials(?) or symbols and date painted at the bottom right, along the base of the tree.

Panel 16 in a series of 20 panels. Drawing of a Kwakwaka'wakw Thunderbird transformation mask showing the interior mask, and open left panel and bottom panel of the beak. The interior side of the beak holds a painting of an eye surrounded by red, green and black decoration and several green ridges. The interior mask has two small dark eyes with thick red brows, a small nose and a red mouth that angles down toward the outside. The strings controlling the moveable sides of the beak extend from it to the nose and side of the eye. The bottom of the beak hangs on a string from the chin. This panel corresponds with 2980/17 which shows the right portion of the beak. In the background is a receding landscape of tall trees and underbrush. Covered with plexi frame.

Panel 15 in a series of 20 panels. Monochromatic charcoal drawing of a Haida beaver bowl. In the centre of the picture at a slight angle sits the beaver’s face on the front of the bowl, large nose at centre, flared nostrils, and a large open mouth angled down at the sides with two long, protruding front teeth and several smaller, square teeth to each side. Eyes are large and dark, angling down toward the outside. Brows are heavy. In the background behind the mask is a landscape of tall trees and underbrush. Covered with plexi frame.