Small basket with handle. The handle is attached to each of the longest sides and is formed by two pieces of grass twisted together. Around the top rim of the basket, there is a border made of cedar bark. There is a woven band of green below this and along the bottom of the basket. The centre is decorated with a whale on one side, two people wearing hats in a canoe on the opposite side, and birds on the other sides.The bottom of the basket is formed by checker plaited cedar bark strips. There is paper certification card in the interior of the basket.

Oblong basket with two thin handles. The basket is primarily the natural cane or bamboo and raffia colours, but there are two bands of three lines each of dyed dark blue raffia, around the perimeter of the object. The structure of the basket has vertical and horizontal supports made from cane or bamboo, wrapped with raffia. On either of the longest sides of the basket, there is a braided handle. The handles are tied together over the middle of the basket with a piece of raffia. There is a number written in pen on the bottom of the basket.

Long ceremonial spear made of wood. A long sharp point, painted dark orange, flares into a head delicately carved into five thin, down-pointing blades and two thicker up-pointing blades, on each side. An elongated hole had been carved between the two up-pointing blades. The blades are elaborately painted in multiple colours, with patterns of lines, dots and colour blocks. The shaft is very long, thin, relatively straight, and ends in a tapered point. It is painted orange.

Rod puppet of Irawan. The head (part a) has a white face with black painted features and a red smiling mouth. Green pompoms hang from above each ear. The black hair is topped by an elaborate headdress that includes a carving of the bird Garuda. The torso (part b) is covered by a black velvet bib with beaded decoration. A matching apron with peach coloured panels hangs from the waist, as does a long sarong, which hides a wooden stick (part c) that extends up through the torso and into the puppet’s head to control its movement. The arms, adorned with bracelets, are moveable at shoulder and elbow by wooden sticks attached to each hand. The round, wood base (part d) has been painted white.

Rod puppet (wayang golek) of a god character, Batara Kamajaya. The puppet has a white face with finely painted features and red smiling lips slightly parted. On his head is a large headdress, curved above the head at the back, painted gold. In front of the ear on the left side is a hanging pink pompom. A black velvet bib hangs around the neck and covers the torso, and is decorated with sequence and beads. At the waist sits a long sarong, tied with green twine. Below the sarong is a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The puppet’s arms are moveable at shoulder and elbow by wooden sticks attached to each hand. The elbow joints are tied with green twine. The parts of the puppet are (a) head, (b) body, (c) arm stick, (d) torso stick, (e) stand. The arm stick for the right hand has become detached.

Panakawan puppet named Petruk. The head (part a) is painted a light yellow, with a black fabric cap covering the scalp. Beneath the blue eyes are a very long nose and an open pink mouth containing one white lower tooth in a lower jaw that extends out past the upper lip. The torso (part b) is clothed in village style dress, with a long-sleeved flowered tunic and a long checked sarong. The sarong hides a removable wooden stick (part c) that extends through the torso to control the movement of the head and connects the figure to its blue wooden base (part d). The arms are moveable at shoulder and elbow by wooden sticks attached to each hand. The thumb and third and fourth fingers are curled to the inside of the hand, while the first and second remain straight.

Rod puppet called Dewi Lambu. The wooden head (part a) has a white face with features painted in black, and a red mouth. The nose is sharp and protrudes, as do the ears. Green pompoms hang down both sides of her face. A large, pointed, colourful headdress covers her black hair. The gold torso (part b) is clothed in a beaded black velvet bodice with hanging panels and two long green ribbons. A sarong falls from the waist and hides a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The arms are moveable at the elbows and shoulder by wooden sticks attached to each hand. The stand (part c, along with the attached torso stick) is a piece of raw unpainted wood attached to a square of plywood.

Rod puppet called Sri Kandi, a warrior archer. The wooden head (part a) has a white face with features painted in black, and a red mouth and forehead decoration. The nose and ears protrude, and green pompoms hang down both sides of her face. Covering her black hair is a colourful diadem that includes a carved pelican. The golden torso is covered by a beaded black velvet bodice with hanging panels and wide green ribbons. A sarong hides a wooden stick (part c) that extends up through the torso and into the puppet’s head to control its movement. The arms are moveable at the elbows and shoulder by wooden sticks attached to each hand. The stand (part d) is a round piece of unpainted wood.

Print depicting a hybrid bird, fish and woman in profile. The figure has a woman’s hand and head. The face looks backwards at its own fish or whale-like tail. Underneath this fish tail, there is another, bird-like, tail. Supporting the creature is a large bird foot. The creature’s flesh is covered in a number of different texture designs. There are two small stamps in the lower left edge of the image; one is black and the other is red. The red stamp resembles an upside down ‘u’. The title of the work and the artist’s signature are written along the bottom edge of the image. There is a brief artist biography and distributor’s stamp on the back of the print.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.