FROM CARD: "1 SHAFT IN 2 PIECES. SEE ANDREWS, "INDIAN PRIMITIVE", P. 15 TOP."

FROM CARD: 8944 A,B,C,D. NAME: *CHOP STICKS [sic], EATING STICKS. *BERRY SPOONS. REMARKS: CARVED WHALEBONE. 1 AND 2 - ILLUS. IN USNM AR, 1888; PL. 41, FIG. 224; P. 318. ILLUS.: THE SPIRIT SINGS CATALOGUE, GLENBOW-ALBERTA INST., 1987, #N106, P.156. LOAN GLENBOW NOV 13, 1987. LOAN RETURNED NOV 25, 1988."Entry on E8944A - D in Army Medical Museum ledger book for Section 6, Miscellaneous Section, under A.M.M. number 378: Received October 29, 1869, from Bvt. Col. A.H. Hoff, Asst. Surgeon, U.S.A. - "Two pairs of "chop-sticks" [sic] - implements use by the Indians about Sitka in taking their food."Florence Sheakley and Ruth Demmert, both elders, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. Originally the design on this spoon was used as a filler design, but today people attribute it to Deisheetan clan, who have a bear design. The presence of a finger design suggests this object comes from Kaagwaantaan clan. This is part of a set that includes E8944A-0, E8944B-0, E8944C-0, E8944D-0

THICK SPRUCE ROOT CORE WRAPPED WITH 2 OR 3-PLY SPRUCE ROOT CORD TERMINATING IN A BONE TOGGLE. HARPOON HEAD IS MISSING.Letter from donor dated May 3, 1978, filed in accession file, indicates that this object was acquired from the Eskridge family in Olympia, WA, who are descended from Governor [Isaac Ingalls] Stevens. This object was said to formerly have been part of the personal collection of James Gilchrist Swan.

FROM CARD: "MASK PROCURED FROM A HAIDA INDIAN ON THE SKEENA RIVER AND SAID TO BE TLINGIT (IF SO FROM THE TONGASS TRIBE BUT BELIEVED BY EMMONS TO BE HAIDA OR TSIMPSHEAN.) IF IT BE A TLINGIT MASK, AS WAS ALLEGED BY THE COLLECTOR, IT REPRESENTS THE SPIRIT OF THE WATER, IUAGUES LIVING UNDER THE SALT WATER. BELLA BELLA - BILL HOLM 3/1983. EXHIBIT HALL 9, 1987. IDENTIFIED IN EXHIBIT LABEL AS BUKWUS, BELLA BELLA. LOAN: R.H. LOWIE MUSEUM 12/31/1964, LOAN RETURNED FEB. 15 1966." FROM G.T. EMMONS LIST IN ACCESSION FILE: "THIS MASK WAS BROUGHT IN BY A HAIDA LIVING ON THE SKEENA RIVER AND WAS SAID BY HIM TO BE A TLINGIT MASK, WHICH REPRESENTED A SPIRIT OF THE WATER QUAGUES, WHICH LIVES UNDER THE SALT WATER. THE NOSE WOULD INDICATE IT TO BE AN EAGLE. IF IT IS A TLINGIT MASK IT MUST HAVE COME FROM THE TONGASS TRIBE BUT I BELIEVE IT IS EITHER A TSIMPSHEAN OR HAIDA MASK."Emmons indicates in letters dated May 27 and May 28, 1902, sent from Victoria, B.C., and filed in the accession file, that the masks in accession 39904 were purchased by him on those dates.Karen Anderson (Nuxalk elder)and Clyde Tallio (Nuxalk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th -24th, 2013. The mask is made of alder. The group questions the Tlingit attribution and thinks it could be from Bella Bella and/or a Nuxalk mask. Some of the group members believe it could depict a bear.

FROM CARD: "BONE."This object is # 44 on list in accession file.

FROM CARD: "$1.00."

BASKETRY CRADLE, NORTHWEST COAST OF NORTH AMERICA. SEE T11915.Has plaster baby head/mannequin, showing head deformation, inside cradle, so presumably was on exhibit at one point. Speculatively, ET15954 may possibly be Makah cradle # E1044? See that record for more information.

FROM CARD: "54153-5. #54153 - LENGTH - 21" WIDTH 6-1/2" HEIGHT 7"."See Brown, Steven C., 2000, "Turning the Tables: The Influence of Nineteenth-Century Southern Design Styles on the Northern Northwest Coast," American Indian Art Magazine, 25(3): 48-55. In the discussion in the article on Field Museum of Natural History housefront model and totem pole model Cat. No. 264015, in footnote # 2 on p. 55, Brown speculates on the artist who made it. He notes: "The identity of the artist who created this housefront is not yet certain. Contemporary Nuu-chah-nulth artists have proposed three possibilities: Dr. Atleo or Sitakanim (both Tla'oquiaht [Clayoquot]) and Chel'tus (Ditidaht) (Black 1999:110). The writer's opinion leans toward Chel'tus, because masks more certainly attributed to Dr. Atleo or Sitakanim differ significantly in style from the former artist's apparent body of work." Brown goes on to list other artifacts he attributes to the same artist who created the Field Museum housefront model, including serpent mask # E54153 and humanoid face mask # E30210 as part of his work.