NECKLACE IS MADE OF EVERY 6 SMALL RED, TIPPED W/ BLACK, SEED BEADS ALTERNATING W/ 1 LARGER MOTTLED WHITE & DARK RED OVAL SEED BEADS. PENDANT IS DARK BROWN NUT W/ THE NECKLACE'S ENDS STRUNG THROUGH A HOLE BORED IN IT. UNDOCUMENTED PROVENIENCE.

16 BALLS OF COLORED AND PLAIN CELLULOSE YARN - NW COAST?

From card: "Carved to represent head of a sculpin. Doctor's rattle. Purchased from "Ye Olde Curiosity Shop", Seattle, Wash. Attached data tag does not suggest Tlingit origin. Additional info. in Lab Acc. file."Note: as of 2010, Ye Olde Curiosity Shop tag is still present with the artifact. Handwritten on the tag is: "#1 Alaska Indian Doctors Rattle $4.50."

From card: "Arrow illus. in Smithsonian Rept. 1893; Pl. 50; fig. 5; p. 679."According to the accession record, Swan acquired 2 crabapple wood bows, with arrows, and 2 mountain yew wood bows, with arrows, from the maker, Tahahowtl or Byron, a Makah Indian of Neah Bay, Washington. These objects were catalogued as numbers E76294 - E76297.

From card: "Globular central bowl, front carved into a birds head, from which extends below, and to the back 3 lines of dots probably meant to represent tail feathers but looking much like the octopus suckers on some other N.W.C. masks." Per Tommy Joseph, 6-2-2009, pipe is carved in the form of an octopus or "devil fish," rather than a bird.

FROM CARD: "54126-35. #54129 - 86 X 44"."

From card: "Represents a bird's head; gray slate, blackened with plumbago."Note: the term "plumbago" has been used for a variety of substances. In the past it was often used as the common term for the mineral graphite, which may be its meaning here.

FROM CARD: "HAS TRACES OF RED PAINT. LOANED TO THE S.I. CENTENNIAL COMM. 7-9-75. LOAN RETURNED MAR 22 1990." FROM 19TH OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD: "MODEL OF TOTEM POST.--A SLATE COLUMN CARVED IN TOTEM DESIGNS. THE OPENING NEAR THE BOTTOM REPRESENTS THE ENTRANCE TO THE DWELLING IN FRONT OF WHICH THE TOTEM POSTS ARE ERECTED. HEIGHT, 16 1/2 INCHES; DIAMETER, 3 INCHES. HAIDA INDIANS (SKITTAGETAN STOCK), PRINCE OF WALES ISLAND, ALASKA. 23,339. COLLECTED BY JAMES G. SWAN. TOTEM POSTS ARE TALL, CARVED WOODEN COLUMNS ERECTED IN THE FRONT OF HOUSES, AND ARE GENERALLY SU MOUNTED BY THE CLAN-TOTEM OF THE CHIEF OCCUPANT. THOSE FIGURES CARVED BELOW EITHER REPRESENT THE TOTEM OF THE WIFE OR ILLUSTRATE SOME LEGEND CONNECTED WITH THE TOTEM OF THE HUSBAND. NONE BUT THE WEALTHY CAN AFFORD TO ERECT THESE COLUMNS, AND THE OWNER IS THEREBY INVESTED WITH RESPECT AND AUTHORITY." Illus. Pl. 169, p. 208 and described p. 214 and 228 in Thunderbird chapter of Barbeau, Charles Marius. 1953. Haida myths illustrated in argillite carvings. [Ottawa]: Dept. of Resources and Development, National Parks Branch, National Museum of Canada. Identified as house-front type totem pole model. Top is thunderbird with long incurved bill, pegged on, whose wings droop down the sides; on his head sits a small human being (head, presumably ivory, is now missing), with hands on his knees; in front of thunderbird, between wings sits a chief with conical hat and skils [hat rings or potlatch rings], his feet rest upon head of a small grizzly bear; under wings of bird on either side, the frog appears, head down; figure squatting at the bottom, through whose body the small oval doorway is cut into the house is the grizzly bear, his forepaws are turned down on his chest, and lower paws point inwards.