FROM CARD: "SECTION OF TREE TRUNK, HOLLOWED OUT IN THE BACK, WITH 3 CONTRASTING SURFACES, THE NATURAL, WITH BLACK AND MEDIUM RED USED TO ACCENTUATE PARTS OF THE FIGURES. THIS POLE HAS BEEN REPRODUCED BY ALVA STUDIOS, NEW YORK, FOR SALE. LENT TO THE MUSEO NACIONAL DE ANTROPOLOGIA, MAY 18, 1964." Loan returned 2012.Information from Robin K. Wright, Burke Museum, 4-12-2012: I believe the model pole is Kaigani Haida, and am thinking it might have been carved by Dwight Wallace (or possibly John Wallace). I think it's a model based on one of corner posts of Duncan Ginaawaan's house in Klinkwan, AK, pictured in my book Northern Haida Master Carvers. It has a bear instead of the humanoid bear holding what I think is the woman in the moon, but the other bear figures and squared ears, and especially portrait-like woman below are very similar. John Wallace later copied this pole full sized for the Hydaburg Totem Park as part of the CCC project.

WOOD OAR WITH COPPER EDGING, 'NORTH WEST COAST?'.

From card: "Spatula shape, represents a fish. Purchased from "Ye Olde Curiosity Shop", Seattle, Wash. Attached data tag does not suggest Haida origin. Additional info. in Lab Acc. file."

O NO. 83; PAINTED BOAT MODEL.Northwest Coast canoe model with painted designs.

Catalogue card identifies this object as representing a frog or beaver. It has been identified by Joe Zuboff, Angoon Cultural Leader, 2014, as a beaver.

FROM CARD: "12/30/66: FOUR LISTED IN OLD CATALOG, THREE ACCOUNTED FOR AND DESIGNATED 23362-A,B, AND C. GP. 12/28/1978: FOUR FOUND IN COLLECTIONS LLE."

From card: "Made from scalp locks." From accession file: "Festival headdress, made from the hair of women from Kluckwon, the Chilkat tribe, and worn by men. It imitates the wearing of the hair by the interior Athabaskan tribes, Yukon Valley. The beaded ornaments are to represent earrings."