FROM CARD: "PEOPLE *CHILKAT-SITKA ? REMARKS *9/30/66: THIS SPECIMEN DOES NOT APPEAR TO BE LISTED ON THE ORIGINAL MCLEAN INVENTORY (NOV. 9, 1881) THAT PROVIDES SPECIFIC PROVENIENCE FOR EACH ITEM. GEP."

From card: "(A & D) Illus. Bu. Ethno. Ann. Report #26, p. 420, fig. 106. Note: Apparently prior to Dec. 1969 these specimens had not been numbered. The former dimensions and quantity (1) were also in error as shown in the old catalog book. Previous attributions to James Swan now seem to have little basis. -GP (George Phebus). Bear crest designs. See: The Far North, Nat'l. Gallery of Art, Washington, 1973, Pl. 235, pg. 188-189 (where all 4 are illustrated). Loaned to the National Gallery of Art October 20, (19)72. Returned 5-29-(19)73. A & C Loaned to Renwick 7/28/(19)82. Returned 1983. (Excerpt from exhibit catalogue for Renwick exhibit, called Celebration, A World of Art and Ritual, is taped to back of card. Objects are described as:) House screens, ca. 1850-1900, Tlingit Indians; Wrangell, Alaska, wood, fiber lashing, red and black paint, non-Indian frames." ... cont., see card.According to Eric Hollinger, Repatriation Office, Feb. 2007, E233498 was originally a pair of house screens measuring 7ft by 14 ft each. Both screens were sawed in half after they arrived at the museum and framed. Red borders were painted on each of the four sections and the same red paint was then applied to touch-up the red paint of the figures (based on Smithsonian Museum Conservation Institute XRF analysis). Screen E233498A originally articulated with E233498D but they were separated when they were sawed in two within the museum. E233498A was on the left and E233498D was on the right. E233498B was originally articulated with E233498C before it also was sawed in two pieces within the museum. E233498B was on the right side and E233498C was on the left side. The screens were purchased by John R. Swanton from Mrs. Robert Shadesty in Wrangell, Alaska in 1904. See the Repatriation Office Tlingit case report (Hollinger et al. 2005).Florence Sheakley, Shirley Kendall, and Alan Zuboff, all three elders, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. Screens like these were used in houses to separate compartments, with screens in the back and the front of the house. Florence gives the Tlingit word for these screens (rv_Tlingit_20170320_004; 9:59). Alan pointed out that since there was no smoke line or sun bleaching, they were likely used indoors. Shirley commented that screens like this were no longer being made when she was growin up.

FROM CARD: "67827-8. NO.67828 @ $.50."Listed on page 44 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".

From card: "Modern carving representing 2 human figures, large bird, and other things."Argillite figural group; resembles ship panel pipe style, though there are no drilled holes.

May be Sitka Tlingit?: it is identified as collected in Sitka; and also see accession history re the basket part of this accession being from the "Sitka-Kwahn." Originally catalogued as ""Egyptian" jar-shaped", though the shape appears more reminiscent of ginger jars.

From card: "Copper, smooth on one side reinforced with heavy metal. Handle of wood, pommel consists of wooden figurine head carving with inset of abalone representing eyes and teeth."

From card: "White wool of dog and mountain goat formed into heavy cord and woven by twilled method into a heavy fabric. The work is done by hand. Heavy fringe at one end and several [six] bands of color formed by interlacing a strip of old [trade] blanket stuff with the stitches. Old specimen."Reference: Solazzo, C., S. Heald, M.W. Ballard, D.A. Ashford, P.T. DePriest, R.J. Koestler, and M. Collins. 2011. Proteomics and Coast Salish blankets: A tale of shaggy dogs? Antiquity 85: 1418-1432. http://antiquity.ac.uk/ant/085/ant0851418.htm . Identified there as a plain twill-woven ceremonial-type blanket of Mountain goat hair (no Salish wool or woolly dog hair was identified).The collector for E311257 is unknown. Reference: Barsh R, Jones J, Suttles W (2002): History, Ethnography, and Archaeology ofthe Coast Salish Woolly-Dog. 1-12. In: Snyder L.M. & Moore, E. A. 2006. Dogs and People in Social, Working, Economic or Symbolic Interaction. Proceeding of the 9th ICAZ Conference, Durham 2002. Oxbow Books, Oxford. See pp. 4-5 where it is noted that "James Teit was the principal collector of British Columbia antiquities for the Smithsonian Institution as well as the American Museum of Natural History in the early 20th century (Teit, J. A. 1930. The Salishan Tribes of the Western Plateaus. Fortyfifth Annual Report of the Bureau of American Ethnology, 1927-28, 23-396. Washington, D.C.). If the Smithsonian acquired E311257 from Teit it could very well have been a product of the Cowichan people who live near Duncan on Vancouver Island. The term "Cowichan" has long been used in the Pacific Northwest as a generic term for all Coast Salish style knitting and weavings, however."

From card: "$1.50." From 19th or early 20th century exhibit label with card: "Leather, 2 inches broad, to which are attached four long wooden ornaments, the lower parts by which they are secured being carved in shape of a man's face, painted blue, and the upper parts being plain, painted black, and grooved on inner surface (red). The tops are ornamented with tufts of white sean's down, and held together in vertical position by a band or cord. Worn by Shaman of Sitka-Kwan Indians in ceremonial dances. Circumference, 20 ins. Height, 18 ins. Alaska, 1882. Collected by John J. McLean."