From card: "(A & D) Illus. Bu. Ethno. Ann. Report #26, p. 420, fig. 106. Note: Apparently prior to Dec. 1969 these specimens had not been numbered. The former dimensions and quantity (1) were also in error as shown in the old catalog book. Previous attributions to James Swan now seem to have little basis. -GP (George Phebus). Bear crest designs. See: The Far North, Nat'l. Gallery of Art, Washington, 1973, Pl. 235, pg. 188-189 (where all 4 are illustrated). Loaned to the National Gallery of Art October 20, (19)72. Returned 5-29-(19)73. A & C Loaned to Renwick 7/28/(19)82. Returned 1983. (Excerpt from exhibit catalogue for Renwick exhibit, called Celebration, A World of Art and Ritual, is taped to back of card. Objects are described as:) House screens, ca. 1850-1900, Tlingit Indians; Wrangell, Alaska, wood, fiber lashing, red and black paint, non-Indian frames." ... cont., see card.According to Eric Hollinger, Repatriation Office, Feb. 2007, E233498 was originally a pair of house screens measuring 7ft by 14 ft each. Both screens were sawed in half after they arrived at the museum and framed. Red borders were painted on each of the four sections and the same red paint was then applied to touch-up the red paint of the figures (based on Smithsonian Museum Conservation Institute XRF analysis). Screen E233498A originally articulated with E233498D but they were separated when they were sawed in two within the museum. E233498A was on the left and E233498D was on the right. E233498B was originally articulated with E233498C before it also was sawed in two pieces within the museum. E233498B was on the right side and E233498C was on the left side. The screens were purchased by John R. Swanton from Mrs. Robert Shadesty in Wrangell, Alaska in 1904. See the Repatriation Office Tlingit case report (Hollinger et al. 2005).Florence Sheakley, Shirley Kendall, and Alan Zuboff, all three elders, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. Screens like these were used in houses to separate compartments, with screens in the back and the front of the house. Florence gives the Tlingit word for these screens (rv_Tlingit_20170320_004; 9:59). Alan pointed out that since there was no smoke line or sun bleaching, they were likely used indoors. Shirley commented that screens like this were no longer being made when she was growin up.

Provenience note: Anthropology catalogue ledger book lists a locality of Alaska for E67922 - 5. Catalogue card lists a locality of Kootznahoo. Alaska. It is unclear which is correct.

From card: "Mask of wood - from Blunden Harbor, on the mainland coast of British Columbia, S. W. of Segmom Inlet, the Kwakiutl people. It represents a wolf's head, and was worn upon festival occasions." Mask has movable eyes and lower jaw.

FROM CARD: "ILLUS.: HNDBK. N. AMER. IND., VOL. 7, NORTHWEST COAST, FIG. 1Z, PG. 2."

O NO. 82,O NO. 86; WOOD-PAINTED, 5 PIECES.Appear to be parts of a Northwest Coast canoe model, with remnants of painted designs.

U.S. National Museum Memo of Sept. 29, 1886 in accession file describes this object as "Harpoon head of native hammered copper and whalebone seized together with rawhide and cord", collected by the donor from the "Takoo Indians, Takoo River and Stephens Passage, S.E. Alaska."

From card: "Carved and painted."Karen Anderson (Nuxalk elder),Ian Reid (Heiltsuk) and Clyde Tallio (Nuxalk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th - 24th, 2013. This yew cane, contains a disputed family crest, probably wolf. These types of canes are often used by chiefs.