FROM CARD: "20804-6. WOVEN OF WOOL OF THE MOUNTAIN GOAT AND DOG HAIR [?]. LOAN: MUSEO NACIONAL DE ANTROPOLOGIA, MEXICO 6/18/1964." Loan returned 2012. Illus. Fig. 570a, p. 380, in "The Chilkat Blanket" by George T. Emmons, Memoirs of the American Museum of Natural History, Vol. 3, part 4, 1907.Shgen George, weaver, made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. This blanket is smaller than other similar ones, but is not considered a child's robe. There are two kinds of black dye that were used on the object, and one is disintegrating faster than the other. The design is a diving whale, but the line dividing the panels crosses over one another, which is unusual. This design is always called diving whale unless it has fins or claws.

OLD TAG WITH OBJECT IDENTIFIES AS "MAKAH, NEEAH B.(AY)".

CHILD'S CRADLE - NW COAST BROKEN.This may possibly be Catalogue # E20555, a Bella Bella trough cradle collected by James G. Swan? See catalogue description of E20555, and see also E20556.

From card: "See also Cat. #89218 (Duplication). Carved by Skaowskeay, an Indian carver of Skidegate, B.C.. Legend - She being out gathering berries, the bears killed all but one whom the King of Bears took for his wife. She had a child by him, half bear and half human. At length the Indian hunters discovered the woman up a tree and thinking her a bear were about to kill her, but she made them understand she was human and they took her home, and this is the origin of all who belong to the Hoourts or Bear Totem. This remarkable carving takes its conception in the legend of the union between a bear and a woman. The carving shows the woman's agony on being suckled by her half human progeny. Illustrated in USNM AR, 1888, Pl. 47, fig. 263a; Pl. 49, fig. 263b; Pl. 50, fig. 263c, p. 322. Casts have been made of this specimen. Cast sent to Royal Zoological & Anthropological Museum, Dresden, Germany; March 22, 1905. 3/1951 apparently only one cast was left. Published originally as Pls. 49 & 50 in Niblack: "The Coastal Indians of Southern Alaska and N. British Columbia." See Swan's letter of Dec. 4, 1883 in Accession record in which he states that this object "was not finished when I got it but just roughed out and my (Haida) Indian assistant Johnny Kit Elswa finished it on the voyage from Skidegate ...". Illus.: Hndbk. N. Amer. Ind., Vol. 7, Northwest Coast, Fig. 2, pg. 595."Illus. Pl. 86, p. 113 and described p. 150 in Bear Mother chapter of Barbeau, Charles Marius. 1953. Haida myths illustrated in argillite carvings. [Ottawa]: Dept. of Resources and Development, National Parks Branch, National Museum of Canada. Motifs identified there as "Bear Mother under human form, a labret in her lower lip, and one of the Cubs also as a human, suckling ... at her breast, while she is in agony." Barbeau notes Swan's identification/transliteration of carver's name as "Skaowskeay" and says "Actually (according to Henry Young, a Skidegate craftsman, 75 years old in 1949) it is the work of David Shakespeare whose Haida name was Tsagay." An alternate transliteration Barbeau used for his name was Skaoskay.

From card: "Introduced by Makah 70 years ago. [i.e. about 70 years prior to 1917.] Maple splints; wide splints drawn through warp strips."