This basket is a round-walled variety of the Washo fancy basket (it is called degikup). The design on the basket is organized by a meandering band of patterns known as matcati le'lup (arrowhead opposed), referring to the triangles on the corners of the zigzag band. This band isolates large open areas that are filled with free-floating designs: eight-pointed stars, checkerboard diamonds, and notably, a standing figure with a hat and large hands.

Annie Poole McBride, a master Paiute basket maker, lived around Bishop, California. This finely coiled basket is identified as her creation by the six-pointed star often used on her baskets. Many Paiute basket makers entered their works in competition at local fairs, which not only gained fame and financial reward for the winning artists but also stimulated ever-increasing quality of workmanship and complexity of design.

The Elizabeth Cole Butler Collection.

Feathered baskets were an important trade item and a symbol of wealth among the Pomo. They were considered appropriate gifts at special occasions and were used as offerings at funerals and mourning ceremonies. The brightly colored feathers, added to the basket as it is made, provide a design mosaic, while the basketry foundation is left plain. Flat saucer-shaped hanging baskets, like this one, were originally decorated only in red feathers. The addition of other colors and patterns was an innovation that began around 1900 as a reponse to collectors' wishes. Handmade clam shell beads added around the rim along with triangular pieces of abalone shell as pendants increased the traditional value of the basket. Magnesite beads were sometimes used as an alternative to clam shell beads. Referred to as "Indian gold," magnesite is white when it comes out of the ground. Pomo men would ceremonially heat it over a fire - causing the magnesite to turn a golden orange color - before working it into beads.

The Pomo are seven distinct cultural groups that historically occupied the California coast from south of the Russian River northward to the Fort Bragg area and inland to the region around Clear Lake. Although the Pomo made a variety of baskets, they are best known for finely coiled baskets such as these. The basket on the left is constructed with a three-coil foundation. The woven designs on Pomo baskets are usually geometric; figurative designs are rare. Pomo weavers often add feathers and clam shell beads as further ornamentation. The dark plumes are quail topknots, frequently used as accents around the basket rims. The red feathers, from the acorn woodpecker, are very fine; each tuft on the basket is made of several feathers that have been twisted together.

The Yokuts are some forty to sixty linguistically related tribal groups that historically lived in the San Joaquin valley and adjacent Sierra Nevada foothills of California. They made a variety of coiled basketry forms, including jars with distinct flat shoulders and short, vertical necks. Figurative and representational motifs woven in red and black were common, as were the quail topknots that adorned many Yokuts baskets. The interlocking diamond pattern on the shoulder of this basket is meant to represent a rattlesnake.

By the mid-eighteenth century horses had spread throughout the Plains region. As Plains Indian peoples became expert horsemen, they began to create a variety of trappings for their horses. Derived from Spanish pack saddles, pad saddles were commonly made by peoples of the northern and northeastern Plains such as the Plains Cree. Pad saddles are usually rectangular or oval tanned leather tubes stuffed with grass or moose hair. A band of tanned leather sewn across the middle provides an attachment for the stirrups. Floral beaded decoration covers the corners, from which hang beaded panels that are often further embellished with yarn tassels.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.