A wooden carving of a bird painted with detailed patterning. It has a long narrow neck, a smooth and rounded body, and two parallel legs which protrude from the body beneath the triangular point of the tail. The painting on both sides of the figure are the same.

Figure carved from a single piece of wood, decorated with intricate painted patterns on all sides. In lines and dots, colours are black, yellow ochre, red-brown, and white. Mid-way down the arm on either side is a band of small orange and light-green feathers wrapped with plant fibre. The figure’s arms and legs end in flat surfaces, with no hands or feet. The head and neck are long and narrow, face flat with a small nose and angular chin. Round eyes are small, and mouth is shallowly carved.

Spear thrower. Tool is long, thin and leaf shaped. Rounded resin grip at one end and a squared tip at the other. Plant fibre and resin are wrapped around the tip to hold a small upwardly curved piece of wood, upon which a spear woutld attach. Tool is flat on this side, and slightly convex on the other. Lacquer applied to surface has a fine bubbled texture.

Wooden boomerang. Object has a long dingle with a slightly outward curving tip. Lifting arm is slightly wider, and elbow has a soft curve.

Ritual funerary stick. A long, thick bundle of plant fibre, triangular in cross section, is densely wrapped in twisted fibres that are pigmented in alternating colour bands of rust-brown, white and yellow. The pointed end is crowned in a tuft of white feathers, while small orange, grey, and white and grey striped feathers and feather down are loosely attached along the length of the stick. The butt end of the stick is wrapped in loose fibres.

Ritual funerary stick. A large, round bundle of plant fibre, wide at bottom and narrowing toward the top, densely wrapped by thin, twisted fibres coloured in wide bands of white, light brown, and dark yellow pigment. Feather down is woven into the fibre in several places, mainly around the midpoint. At top is a smooth stick of forked wood, wrapped into the body of the piece with the twisted plant fibre. It is thickly covered with yellow pigment. Two long handles of twisted fibre are attached either side, at midpoint.

Ritual funerary stick. A bundle of plant fibres are densely wrapped by twisted fibres, pigmented in alternating bands of colour in rust brown, white and dark yellow. Small orange, grey and striped white and grey feathers and down are attached along the length of the stick. The body widens slightly downwards, flaring at the end into a wider portion for several centimetres before narrowing sharply to a blunt point.

Ritual funerary stick. A bundle of plant fibre is densely wrapped by twisted fibres pigmented in alternating bands of colour in rust brown, white and dark yellow. Small white feathers and feather down are attached along the length of the stick, and the ends are capped with hard, dried mud. The stick is flexible.

Bark painting on a roughly rectangular piece of slightly warped reddish-brown bark. The top is entirely covered with the painted image in yellow, black and white on a dark red ground. The image is divided into six panels. The upper centre panel shows two black possums on either side of the trunk of a tree. The four corner panels each show a pair of vertical yellow and black possums. The bottom centre panel shows two women facing a tree trunk. Above the upper panels is a horizontal panel of wavy lines. The upper and lower ends each finish with a short black band. The reverse is plain bark.

Arm ring. The ring is made of woven reed and covered with black fibre, mud and white and rust coloured pigment. Several strands of twisted fibre are attached to one part of the ring by mud. The strands are divided into two bunches, each joined at the distal ends with a lump of mud that also holds feathers.