Stone carving of a kneeling figure. Figure's body is forward facing; head turned to the right. Semi-circular eyes and straight mouth with pouting lip carved into centre of head; wide nose done in relief. Lines incised along top of head, imitating hair; hair-like protrusion is gathered into bun at base of neck. Arm-like protrusions on either side of body; right arm rests flush against body with hand resting on knee, left arm-like protrusion is held against the figure's chest. Deep line carved along entire bottom edge of figure. Label with artist name attached to base.

Bear carving done in dark grey-black stone. Bear has short ears, circular eyes, and long thin snout; standing on four legs. Front legs have rounded sides and are spread apart; hind legs are close together and rectangle-like. Hind legs are shorter than front, giving bear a crouching appearance. Artist signature in syllabics inscribed on belly.

Stone carving of a mother and baby. Figure has carved oval-shaped eyes and a smiling mouth; square-shaped nose done in relief. Lines along sides of face and across top of head imitate hair. Woman is wearing a hooded parka with a large pouch on the back for the baby; parka has long front and back flaps that extend past the waist line. Baby is wrapped in mother's arms, held flat against her chest. Date made and additional inscription, S-1923, carved across base.

Summer weight amauti style parka. Made of white cotton with yarn decorations. Thick red and blue, braided tassel, pinned to form scallops, hangs below neck opening. Large red panel covers torso. Decorated with two vertical rectangles, filled with “X” shapes. Motifs done in yellow, white, light blue, and black sparkly ribbons. Green and yellow fringe hangs from bottom edge. Top and bottom edges of sleeves are bordered with embroidered bands. Decorated with multi-coloured “X” and “O” shapes, and geometric motifs. Band along top is dark red, bottom band is white. Extending down from the top band, covering the upper arm, are long strands of multi-coloured fringe. Parka has flaps along the front and back bottom edges; the back one longer than the front. Both are trimmed with bands made up of dark blue, light blue and green diagonal lines. White fringe hangs from edges of both flaps. The hood is decorated with pink, red and blue fringe along the edges. Fringe extends from a multi-coloured embroidered band, made up of linear and geometric motifs. Edges of hood opening are trimmed with dark green bands with birds and floral motifs embroidered across them. Pouch, accessible from interior, bulges out from the back of the parka. Two bunches of multi-coloured fringe hang from bottom edge. Parka is unlined.

Drawing of nine human figures circling a yellow drum in the centre. All have their heads pointed towards the drum, their bodies stretched out towards the edges of the paper. Seven of them are forward facing, and wearing snowsuits and boots. Colours of suits and boots are dark yellow, dark green, red, turquoise and dark brown. All have oval-shaped eyes, straight brows, slits for nostrils and open oval-shaped mouths. Two figures, towards the right side of the drawing, are done in profile with dark green parkas and matching pants and boots. Their faces are coloured yellow and both have bundles on their backs. A small tenth figure crouches beside the drum, hitting it with a drumstick. The figure is coloured black, with red and green undertones, has a pointed face and red hand. Syllabics written in the bottom right corner in turquoise. Pencil inscription on back, in bottom right corner.

Applique wall hanging of three men and two women on a dark brown background. All have white faces, with oval-shaped eyes, long lashes, thin lines for mouths, and black hair. Men’s hair is cropped short, women have braids. Women are wearing long parkas and boots; men have short parkas, pants and boots. Parkas are orange, light purple-grey, and dark yellow, with dark purple, black, orange and pink trim. Pants and boots are dark yellow and light purple-grey, with black trim and light purple-grey trim. One of the men is in the background with a bow and arrow pointed at five bears and wolves. Animals are orange, dark blue and light purple-grey. The other humans are in the foreground, with their arms raised. Edges of hanging are rolled, secured with white and yellow whipstitching. (Velcro strip sewn on back, for hanging purposes).

Drawing of three identical human faces and a fish, done in two rows of two. Top row has a face and the fish, bottom row has two faces. Faces are drawn horizontally, looking towards the right side of the paper. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. All have linear tattoos. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs done in dark blue. They each have a yellow and blue ulu next to their face, and each face is outlined in a different colour, red, yellow and dark blue. The fish is facing towards the left, done in light blue, with a red eye. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right corner.

Drawing of two rows of forward facing humans, that extend upward from two wide orange and green bands. Top row of humans is depicted from the shoulders up, bottom row from the waist up. Six humans along the top are wearing snowsuits and have identical facial features and tattoos. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. Tattoos are linear. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs are done in black. Seven humans along the bottom are wearing snowsuits and have identical facial features. Eyes are oval-shaped, noses are long and thin, mouths are open and oval-shaped, and beards are triangular. Features are done in black, blue and dark green. Snowsuits of all humans are dark blue, blue, green, grey, orange and lavender. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right and left corners.

Stencil print of spears and hooks. Row of seventeen orange spears, pointed down, overtop a row of twenty dark brown hooks, pointed up. Rows divided by a wide green line. In the bottom right corner of the print the title, signatures, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. Pencil inscription on back, in bottom left corner.

Serigraph print of a husband and wife. The woman is seated on a raised platform inside a dark blue structure. She is wearing a blue and white striped dress with a red border along the bottom edge. Her child is on her back, held in place with a red and blue cloth. One of her arms is held out, offering a black bucket to her husband. The man is standing in the entryway of the structure. He is wearing a blue and white striped shirt, red pants and red boots. His left hand is reaching for the bucket, his right is holding a ladle(?). In the background, above the couple, is a small figure wearing a black shirt and red pants. He is bent over, balanced on one foot, and reaching towards the woman. In the bottom right corner of the print the title, signature, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. (Print is taped to board backing.)