Drawing reconstruction of an old Heiltsuk house-front painting, in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of two circles with human-like figures inside, bodies facing forward. The two are divided by a wide maroon border; the short edges are bordered by identical bands. Figures are crouched with arms and legs bent at sides, elbows resting on knees. Overall drawing has a rectangluar outline with a horizontal line through the centre, going overtop designs. Title, date made, and artist signature written in bottom right corner.

Drawing reconstruction of a plank for a Tsimshian house-front screen in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of a raven's tail, and a large portion of the body; formline design elements throughout interior. Rectangle outline overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along right edge of drawing.

Wooden beater for weaving. Beater has long, flat blade with a rounded end. The carved handle has a cylindrical hand guard and pommel-like end piece. The blade is dull on both sides.

Drawing reconstruction of a plank from a Tsimshian house-front screen in horizontal orientation, drawn in pencil and maroon pencil crayon (part a). Drawing is of the upper half of a raven's mouth and beak, and lower half of their eye; formline design elements throughout interior. Rectangle-like outline, with an angled right side, overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along left edge of drawing. Part b is a related tracing of part of the drawing; tracing itself is shaped like a cuff-style bracelet. It depicts the same design as the drawing, but with additions to the raven's eye and beak. The tracing film is rectangular with an uneven bottom edge.

Paddle carved from a single piece of light coloured wood, with a raven painted along one side of the blade and onto the throat. Paddle has a flattened ovular blade, thick cylindrical throat, and flattened shaft that flares outward at the top. Shaft has wide notches carved into it, below barrel-shaped grip; grip painted black. Painted raven is made up of formline design elements; done in dark blue, dark red, light blue, black, bronze, and green-blue. Raven's head is pointed downward, touching bottom edge of blade, wings are held close to body, and tail feathers are straightened. Bulbous face- with thick brows, a large nose, and open mouth- painted across upper half of wing. Eyes of raven and face, circle on upper half of tail, and sides of grip are covered with a crushed black mineral. Artist inscription written on back centre of blade: "Raven Led the Way" JADE HANUSE 2023 © Anuximana JH; rest of back is undecorated.

Drawing reconstruction of a plank for a Tsimshian house-front screen in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of a raven's ear, and the upper half of their beak; formline design elements inside ear. Rectangle outline overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along left edge of drawing.

Model totel pole with two carved figures. From top, a thunderbird with eyes outlined in blue and a mouth outlined in red. Wings are painted with red and blue feathers. Left wing has been reattached with adhesive. The thunderbird sits atop the tail of a whale. The whale is positioned head down with eyes outlined in green, nostrils outlined in red, and mouth outlined in purple. 'CHARLIE JAMSON' written on back.

Basketry baby carrier with woven tumpline; made up of slat foundation and sides covered with coiled cedar bark. Carrier is rounded and wider at head; tapered and narrow at foot. Exterior sides and head walls have a repeating checkered square pattern, alternating between red-brown and black; thin bands of undyed bark in between squares. Exterior wall of foot has two squares with half red-brown and half black checkers. Interior of carrier is undecorated. Thin skin straps and ties threaded through top edge, near four corners and head of carrier; tumpline is attached to skin straps at foot. Tumpline has central diamond design with triangles extending from either side; diamond and triangles are undyed. Negative space around shapes done in black, red, and olive green alternating bands.

Model totem pole with three carved figures. From top, a male figure with feather headdress and green-blue eye mask with red marking. The carved headdress has six upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid painted above the figure's head. The seated male figure holds an upside-down grey fish in front of his body, and sits on top of the head of a large animal figure (sea-wolf or sea-bear?). The animal looks downward and sits on a mound creating an s-shape to its reddish-brown body.

Large lidded wooden chest. The exterior of the chest (part a) shows finely grooved texturing on surface. Each panel has borders at all four edges, with fine, vertical, parallel lines throughout the centre. Five parallel grooves run horizontally along the upper and lower edges of the chest, with diagonal grooves down each adjacent corner. The corners and base are secured with root-like(?) ties, wood pegs and nails. The exterior has a dark brown-black colour. The interior of the chest shows carving tool marks. There is a rectangular piece of wood along the interior, bottom edge of one side panel. The lid (part b) is flat on underside, with an upright ridge along the long front and back edges. The side edges are also carved with fine vertical parallel lines. The lid is composed of three pieces of wood pegged and nailed together. The underside surface of the lid is covered in carving tool marks.