Model totem pole. Pole is carved from wood, left mainly natural colour, with facial features highlighted in red and black paint. At centre is a large bear with prominent snout, tongue emerging between canine teeth. Bear is in a sitting position, a small human-like figure held in front with the bear's claws on his shoulders; the figure’s hands sit on the claws, his mask-like face just above. At the top of the pole a small wolf face emerges between the bear’s ears, with a leg carved at each side. Back of the pole is unpainted and hollowed out.

Vase is round and bulbous with a wide shoulder narrowing to the short neck and lip. At the bottom, the pot sits on a small brown foot. The vase is light grey with tiny dark brown speckles and decorated with two linear figures of a slightly raised dark grey glaze, with two rounded red glaze figures located in between. One side of the pot appears to have a shinier finish while the other side has a more matte appearance.

Rectangular woven wall hanging with a mirrored diamond pattern. Dyes used are made of natural materials. Background is off-white, with brown checked squares along the edges coloured with walnut shells. At centre of weaving is a small light tan diamond coloured with onion skin, surrounded by a thick diamond of dark brown made of red stemmed dock with logwood strips, then two strips of light rust-brown of goldenrod and chrome or copper, light yellow-green of goldenrod and alum, and light brown coloured with lichen. At back are two canvas pockets sewn along the long edges as hanging mechanisms.

Small weaving with diamond, half-diamond and lightning designs. Textile is rectangular, vertical, slightly wider at top, with rounded corners at bottom. Lines of cream, yellow, green and mottled grey fill the weaving in a zigazg pattern from top to bottom, with large mottled grey diamond shapes at centre and half-diamonds down both sides. At top are small loops of cream coloured wool from which to hang the weaving. Blue 'Salish Weaving' tag sewn to back.

Woman’s full-length, A-line, quilted, colourful robe with long tapered sleeves; open at centre front from neck to hem with no closures; right and left centre fronts slightly overlap at hem; made of red, yellow, green and purple warp-ikat textile, silk warp, cotton weft. Gathers at the underarm are embellished with decorative stitches worked with orange thread. All edges are faced on the inside with bias strips of multi-coloured cotton textile. Lined with machine printed cotton textile with red, green and brown floral motifs on an off-white background. Back neck edge bound with dark red twill tape. Light layer of cotton batting between the outer textile and the lining.

Round vase with a small foot and short neck. From the neck the vase widens slightly then tapers down to a foot. At the top the pot is dark brown, the colour fades to a medium brown then to a light brown at the bottom, with tiny dark black brown speckles. The top third of the vase is finished with a shiny glaze, while the bottom area is not glazed.

Low, wide vase. Narrower foot widens to low shoulder. Linear body features slight concave vertical brush strokes of light yellow-white glaze. Two linear characters in black glaze on opposite sides of body. Grey-blue glaze is visible through light cream colour, where glaze is thin. Cracks in cream coloured glaze where thick. Top shoulder narrows to short neck and lip. Square maker’s stamp on edge of foot.

Lidded pot. Narrow base widens to low shoulder and narrows slightly, then widens slightly to linear upper body. Wide inset rim fits circular lid (part b) with inset lip. Glaze varies in shades from raku firing. Metallic grey runs from bottom to rim with inset texture. Yellow-gold and green-grey glaze with oil like sheen throughout body. Flat rim is yellow-green-grey, similar to lid. Top of low shoulder edged with horizontal inset around circumference. Mid-body features horizontal edge. Base is unglazed charcoal grey. Square maker’s stamp along bottom edge. Lid features small round handle and has a similar finish to the pot.

Large scale aluminum abstract sculpture. Stands on, and is attached to, a thick, black, oval, stone base. Sculpture itself is made of epoxy powder-coated aluminum, with a brushed silver surface. On three legs stands a large eye in formline design, with two concentric ovals forming the pupil inside a large open space. The sculpture’s lines vary in thickness.

Concave square plate with rounded corners, on four block feet. Background glaze is yellow-white with navy blue streaks horizontally across plate. Black linear figures on either side of centre. Cluster of cracks in glaze on far edge. Clear glaze on edges of bottom surface. Feet and centre are unglazed light brown clay with a square maker’s stamp in centre.