Model totem pole with three carved figures. From top, a seated or crouched male figure with feather headdress. The carved headdress has five upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid hole carved above the figure's head. The male figure is crouched on top of a large head, and holds a serpent in front of his body. The large head has upright rounded ears.

Silver napkin ring. Engraved animal (whale, or sea mammal?) design covers the outer surface, with cross-hatched background. The design is bordered at the top and bottom by a vertical, tightly packed linear design, all the way around. Engraved inscription on inside.

Baby carrier made of hide stretched over a wood frame; long sides are rounded, short ends are straight. Wood frame consists of thick carved pieces and split branches; carved pieces make up top and bottom sections of frame, branches form sides. Carved wood pieces are secured with nails; branches bound with floral-patterned fabric. Hide is stitched around top rim of cradle and along short edges. Additional floral-patterned fabric is wrapped around the carved wood sections of the frame. Raised semi-circle extends from top edge, at head of cradle.

Silkscreen print based on an abstract painting. Non-figurative design in black, red and blue, with a black rectangular border, on beige horizontally rectangular paper. In pencil at bottom: MP River Monster Cranmer 92.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.

Rectangular wall hanging woven with wool, and dyed. The pattern is repeating overlapped triangles in olive green and dark pink-red down the centre. There is a band of red within the olive green, and a band of olive green within the red. Flanking the centre design are wide off-white zigzags. On the right side is a small band of dark brown-grey and small band of light grey within the off-white section. The sides follow the zigzag design on the inside edge, in dark red and grey mottled wool. One end has a series of small open loops of off-white wool with a small section of pink, and the opposite end has long fringe in off-white wool with a small section of pink. Blue 'Salish Weaving' tag sewn to back. The colours have faded on the front of the textile.

Rectangular wall hanging woven with wool, and dyed. The pattern is divided into two sections, each with seven columns of three diamonds. The columns have a mirrored colour pattern, from outside to centre - olive green, dark brown, light brown and off-white at centre. Above each section is a light brown zigzag from one side to the other, the lower zigzag is also outlined in dark brown, with off-white and green zigzags above and below it. The brown zigzag has a white line through it, and the green zigzag has a light brown line through it. Below the upper section is a thick horizontal band of off-white and light grey. Below the bottom section is a dotted line of grey (blue on reverse) and faded pink (dark red-pink on reverse), with horizontal repeating green triangles below. One end has a series of large open loops of off-white wool. Blue 'Salish Weaving' tag sewn to back. The colours have faded on the front of the textile.

Photographic print of a mother and child on horseback; figures are done in black and have yellow halos. Mother is wearing a long cloak, secured at the throat with a brooch, and has her right arm wrapped around her child; left arm is resting against back of horses' neck. Reins of horse flow into the lines of mother's cloak; horse mane also highlighted with yellow. The image is painted on a gold and silver car hood; centre of hood is silver, side panels are gold. Edition number, 12/224, title, artist signature, and date made are written below image; embossed artist signature in bottom right corner.

Model pole attached to a wooden base, with wings near the top made of separate pieces of wood (parts b-c) inserted into slots. At the bottom, above the base, is a thunderbird mask-like face, with a hooked nose; above that is a bear holding a copper with a face painted on it; at the top is an eagle with the wings spreading straight out to the sides. Painted in black, red, green and orange; the unpainted sections appear to have a clear stain over them, including the back. The base is made from a different type of wood and has 4 nails hammered up through the base into the pole. Inscription on back on right wing: "W. Mack Bella Coola B.C.

Drum made from stretched hide over a wooden frame with a painted design on the front; part b is a drumstick. The front of the round drum has a painted seal in profile, in black, red and grey, with several vertical turquoise blue designs on both sides of the seal. The eye of the seal is an abalone circle, adhered in place. The outer edge of the drum has a thick black line painted all the way around; the background is natural skin. The hide is tied all around the back edge with sinew cords that join at the centre, wrapped with hide strips for the handle. Signed inside David Mungo Know Seal 92. The drumstick is wood; the head consists of fuzzy sheep skin secured over the end, with a beige leather thong wrapped around the handle, with a long leather fringe hanging from it.