Dagger hilt, or pommel, of walrus tusk or sperm whale tooth. Main section is the shape of a bear head, with a smaller bear crouching over the top of the lower head. Inlaid abalone eyes, teeth, nostrils and ears. A human figure extends right through the large head, its legs and knees protruding from each side of the main mouth, and the soles of its feet serving as teeth for the bear.

Hardwood bowl in the shape of a seal. Seal head projects from one end, tail at the other end. Hollowed oval bowl area is rounded along the sides, somewhat pointed at the ends. Outer surface shows carved seal design.

Shaman or healer's globular-shaped rattle features an owl on the front, its beak pronounced and its wings and legs carved in low relief; and on the reverse, another beaked creature, with legs and two-toed claws. Pins of native copper secure the handle, and sinew ties hold the rattle closed; black and red paint accents the carved imagery. (Interior likely holds pebbles, beads or lead shot.)

Set of three detached bentwood chest panels. Front and back panels have stylized imagery painted in black and red across entire surface. Cross-hatching can be seen in several areas. Several large stitches of cedar root can be seen along the right side of one panel. The shorter side panel shows four faint painted lines in a rust-red colour, running from bottom left corner upwards toward opposite side's midpoint. Faint suggestions of other lines above. On right edge are cracks where wood has been bent, and an undercut on the backside of the old bend. All three pieces have hanging hardware on the back.

Basket with red cedar bark base and warps and swamp grass wefts. The base is done in checker weave, while the walls and lid are done using wrapped twining. The base of the basket is secured with two strand twining and then the warps were split and smaller rows of two strand twining follow. The edge of the base is distinguished by one row of three strand twining, which creates a noticeable break in the pattern, before the wrapped twining begins for the walls. Designs, consisting of horizontal stripes, were made using analine dyes, which are extremely light sensitive. Colours are preserved on inside of basket, where light exposure has been much lower. Originally red and black stripes. Nuu-chah-nulth

This basket is woven using the wrapped twining method and is made of swamp grass. The designs were made using aniline dyes and are badly faded; original colours still visible on the inside of lid and basket. The weave on this basket is very finely done. The basket and lid are decorated with bird motifs. Originally birds were yellow on a purple background. The lid has a drop edge that fits over a lip around the top edge of the basket. It is decorated in concentric circles with a dark spot in the centre. The spot includes black as well as the wine colour. The outside is faded to a light brown colour. Nuu-chah-nulth

Oval shaped coiled cedar root basket with cedar slat foundation. Overcast rim with remnants of a loopwork border. Decorated with vertical stripes of imbricated designs in canary grass and black dyed cherry bark. Cherry bark can be distinguished by the small eyes in the surface of the bark. If the basket maker is skilled the bark has a shiny appearance, if it has not been scraped properly it has a greyish tinge. Canary grass is differentiated from cattail and bear grass by its shiny appearance according to a Stó:lo/Stl’atl’imx elder and basket maker from Mount Currie, who was married into Upper Squamish.

Rectangular coiled cedar root basket with cedar slat foundation and walls that flare slightly towards rim. Decorated in beaded designs of cattail grass and black dyed cherry bark. Darker elements arranged in a butterfly design. Butterflies are said to represent everlasting life by Stó:lo and Nlaka’pamux basket makers. Overcast handles sewn to basket with leather ties. One has been repaired with string. Finished with a braided rim. Triangular shaped stitches attach base to walls of basket. Interior Salish: Stl’atl’imx?

Nipple topped stone maul. There is a damaged area on one side and the bottom edge is badly chipped. There are blackish oily stains on the side of the maul.

Conical topped stone maul; damaged area on one side; broken area at bottom edge.