Basketry divided tray. Constructed of cedar slats wrapped in cedar root. Base is rectangular, with short, straight walls. The interior is divided in half by a partition with a rounded top, that sits higher than the basket edge, with a handle hole at centre. Dark red and black cherry bark imbrication decorates the sides of the basket in sets of short diagonal lines.

Basket made of cedar root wrapped slats. Base is a long, thin rectangle with rounded corners, sides flare slightly outward toward the rim. The decoration on the body is alternating horizontal rows of black and red cherry bark, as well as six spaced out black squares (three rows wide) of imbrication on each side. Two hide strap handles are attached just below the rim on the long sides.

Basket is rectangular but with rounded corners; sides flare out somewhat from base to rim. Made of sewn coils of wrapped cedar root bundles. Among the horizontal rows of the body are two rows of imbricated diamond shaped designs near the top and a single line of gammadion crosses near the bottom. Several thongs of hide are attached as loops through the basket near the rim; a braided fibre cord with a wide handle is also attached near the rim. The tumpline handle is woven with pink and brown wool in a diagonal pattern.

Cat-tail reed mat. Mat is made of a double layer of reeds laying parallel to each other, joined in a braid of reed and wool string at the top. Long twisted cords join the reeds together across the width of the mat, spaced at regular intervals. A thick woven plait falls down one side. Ends are contained by a wool string entwined around each strand near bottom.

Thick, off-white, twill weave blanket or robe. Densely woven, wrapped along the short edges, with a heavy, short fringe on the long edges. Small pieces of red wool are occasionally visible as caught up in the weave. (Various areas with condition issues, especially along lower edge.)

Set of three tenmoku stoneware dishes (parts a-d). The two deep plates, one larger then the other, have high walls with four dips spaced around the edges. The small round bowl has angled walls and two curved handles. All three are mainly black with ragged brown rims. Maker's mark stamped on base of all three plates.

Large wooden bowl. Long and narrow, carved from rosewood, with thick walls, and a wide base that is concave on the underside. Ebony wood is inset along the outer rim in a line of diamond and triangle shapes, below which are carved the outline of birds in a linear design. On one end of the bowl sits a large sculptural element showing a shark transforming from its human shape. The figure of a man emerges from below, with large head, flat jaw, heavy brow and shell eyes, and is backed by swirls and circular designs. On the opposite side of the bowl is an eagle, wings angled behind the head to rest on the edge of the bowl, beak in contact with the upraised tail of a fish whose head supports the bird’s belly. Abalone is used for the creatures’ eyes, and in a repeating motif along the lip of the bowl.

Highly decorated and carved talking stick, or speaker's staff, accompanied by deer hooves (parts b-k). Stick has deeply incised figures (top to bottom) of a thunderbird with wings extended above head, a killer whale, a male wearing a spruce root hat and holding a long stick in his right hand and a rock(?) in his left hand, and a snake. A binding of leather with suspended deer hooves separates the killer whale and the male figure.

Large format colour photograph of a scene showing three people processing a large collection of First Nations objects into lots, in preparation for an auction. The objects (mainly from the Northwest Coast, some from other First Nations groups) surround the table where the people are working on all sides. Many objects are on the floor, others are on shelves and some are on the table. The two men sit behind a long table, one with a laptop. A woman stands at the right of one man, also behind the table. Edition 1 of 3. Photograph is mounted in a large frame.