Wall hanging of a silkscreen print, on burlap cloth. Sea lion is shown on its back, with flippers and head curved in towards centre where foreflippers held up. The burlap is attached to half of a dowel along both the top and bottom edges. A thin black cord is attached to the top for hanging. A Coastal Arts printed label is adhered to the reverse which gives the title, artist and biography.

Wooden halibut hook (part a) with wooden B-shaped float and detached metal barb (part b). Float attached to hook by thick cord wrapped in cedar root. A section of twisted cord extends beyond the float in a loop. The barb has lashings around its base.

Set of 20 can-shaped ceramics (parts a-t), painted to imitate Campbell's soup cans. Some are named with traditional Campbell's names, while some are Cree inspired flavours. Each 'label' also gives the Cree language translation of the flavour in the upper section, and "Naboob" is written at the bottom of each can (the Ojibwa word for soup/stew). The cans are labelled: (part a) Kisti' Kânis / Vegetable; (part b) Wâpoos / Rabbit; (part c) Atihkowiyâs / Caribou Meat; (part d) Misi'hew / Turkey; (part e) Âhkosê' pet / Hangover; (part f) Sikotîyikun / Hamburger; (part g) Kihcôkiniy / Tomato; (part h) Mooso' kot / Moose Nose; (part i) Iotasahkêw Mohtêwiyâs / Indian Agent Maggoty Meat; (part j) Mistam' Ekos / Salmon; (part k) Papahâh Kwân / Chicken; (part l) Mostos Wiyâs / Beef; (part m) Askipwâwi / Potato; (part n) Oskan / Bone; (part o) Muskwa Wiyâs / Bear; (part p) Âmisk Wiyâs / Beaver; (part q) Sosâ' Siw Unawîy / Salmon Cheek; (part r) Okês' Kwew / Spring Chicken; (part s) Miskin' Âhk / Turtle; (part t) Osâw'puk / Pumpkin.

Ceramic sculpture of a book standing on end, opened. The cover is decorated with dark blue flowers and swirling vines with a dark yellow spine. The front cover has a white rectangle, which reads 'Alice Through the Looking Glass / And What She Found There', with a black and white drawing of Alice with her hands held together behind her back, looking away. Leaning against the back cover is a figure of a Jabberwocky or dragon-like creature, with its long neck and wing draped over the top of the book, and its other wing and claws reaching around the side. Within, the open pages have a heavily crosshatched drawing of a room with an armchair off to one side, and a fireplace mantel on the other. The upper corners of each page curl forward, revealing writing from the book. Standing in front of the open book is a tall, bright green chest with many small red drawers, some of which are open and have various figures emerging (chess pieces, creatures, flowers). A figure of Alice in her blue dress, white apron and long blonde hair, is facing the dresser. Her face is seen reflected in the mirror on the chest. Next to her, sits a black cat with a red ribbon around its neck. The sculpture's base is a closed book with a dark red cover and dark green spine, which reads 'Alice's Adventures in Wonderland. Lewis Carroll. Illustrations by John Tenniel'.

Haida manga watercolour and ink painting. The painting is comprised of 18 separate, multi-coloured, story panels. Each panel shows several scenes in the story, in order, starting at the upper left corner. When all the panels are hung together in a rectangular configuration (6 panels wide x 3 high) they also form a larger image, united by a thick, black, painted line. (From the upper left corner of the image, l-r: parts a-f; middle row, l-r: parts g-l; lower row, l-r: parts m-r.) The artist signed each panel on the back and sketched out where it fits in the configuration.

Woodblock print on square, off-white paper. Close up of six dark red strands, outlined in black, woven together. Ten white, abstract designs on red strands. Designs are (from left to right, top to bottom): seven pointed star, figure inside of a circle outline, sun, four angular fish, pale yellow circle with lines curving out from it, three arrows overtop of a solid circle, large swirl, two wavy lines, circle with branch-like designs running through it, and half of a bird-like figure. Embossed leaf on a square in the bottom right corner of paper. Beneath the design are the edition number, 33/50, title, artist signature and year. All are handwritten in pencil. "43" and date are written upside on back of print, in the top right corner. Both handwritten in pencil.

Artwork representing a carver’s adze (part a) and two glass mauls (parts b-c). The adze blade is made of glass, the handle is maple, painted black. Handle is mostly cylindrical, but narrows towards the top, coming to a point. The blade is oblong, flaring out near the bottom edge, attached to hafting platform with thin, clear plastic twine. More plastic twine wrapped around the handle, near the bottom, to form a handgrip. Artist signature and year engraved into blade, directly below the twine. The larger maul (part b) has a small circular top, tapering handle, and a flared circular bottom. Both ends are flat. The other maul (part c) has a small circular top, tapering handle, and a flared circular bottom. Top has tall, rounded point in centre. Bottom end is flat. Artist signature and year engraved along the bottom edge of both mauls, on the centre back.

Tall six-sided bottle, with lid (part b). Each side has a panel with three images - the top and bottom generally feature a building, sometimes with a large bird. The centre image is a framed machine. The edges and top of the bottom are decorated in blue - repeating V's creating a vine, and small repeating arches around the mouth. The lid has a ceramic handle painted to appear metallic. Around the handle reads, '1906-1990 IVAR KAROLUS LUNDGREN'. The artist's signature is on the base.

Wooden shuttle. The shuttle's boat-style rectangular body has a large rectangular cutout, and an eye on one side. Each end of the body tapers to a slightly-upturned and dull point. Within the rectangular cutout, there is a wooden pin inserted through a bobbin, with the pin's tip inserted into a hole on one side, and the square end held in the notch.

Unpainted wooden canoe paddle. T-shaped grip. Diamond shaped blade with a rounded tip. The shaft is cylindrical at the centre, but flattens at both ends where it meets the blade or grip.