Male or generic form with arms at sides, bent back at elbows. Figure's legs are bent to a near sitting position. Narrow slit between legs and wedge-shaped feet. Oval face with protruding chin and nose in higher relief blending into forehead. Ears at back of sides. Carving marks are evident in all areas. Darker in shallows and between legs.

Bee mask. Black split U covers most of slightly rounded white forehead, two white square-like forms in either side of U; across forehead, dark purple-red line, varying in thickness and shape, seven diagonal lines over brows; brows protrude at bridge of bulbous snout and taper flat at temples; thin line joins small yellow orbital areas at dip between forehead and snout; circular hollow protruding white eyes are outlined in black; snout has central black band outlined in white, black, white and red crescentic bands around yellow nostrils with red interiors; five evenly spaced drilled holes at centre of snout have remains of 'stingers'; defining cheek line melds with orbital ridge; white temple and cheeks; black line emphasizes contours of cheek, jaw line and upturned rounded triangular-like chin; dark purple-red sickle-like shape on cheeks; red lip band has yellow outline. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to upper rim; white cord and red cloth are twined into cedar bark lengths; grey cloth nailed to back upper rim beneath cedar bark, two narrow strips of dark purple-red cloth are sewn with black thread at sides, edge at side on right is stiff. On reverse, two lengths of green cord, one passed through two holes in upper rim, looped and knotted at hole in each temple; second length is looped and knotted around first cord; white cord binds green cord from upper rim; light brown cord looped and knotted through hole in chin. Jagged check at upper edge of orbital area on right.

Bee mask. Slightly rounded white forehead has black U in upper centre, black triangular-like form with red ovoid outlined in white at lower centre; curvilinear dark purple-red and red lines above curved black brows; yellow orbital areas are joined by a thin line in dip between forehead and bulbous protruding snout; circular hollow protruding white eyes outlined in black; snout has black centre and outline, yellow and white crescentic bands around red hollow nostrils, five holes in snout, three in the centre and one above each nostril, four have the remains of 'stingers'; curvilinear black lines emphasize cheek contours and narrow flat upturned chin; white and dark purple-red bands also emphasize chin. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to the upper rim; white string and red cloth are twined through the cedar bark lengths; dark purple-red cloth is nailed to upper rim beneath cedar bark, two seams with greyish material on either side. On reverse, string passed through two holes in upper rim, looped and knotted through a hole in each temple, black string is knotted to string from temples and to a piece of thick black rubber.

Male or generic form with handless arms out from sides in oval shape. Oval face with nose in higher relief and incised hair-like lines on top of head. Legs with flat interior sides, curved in profile. Feet extend out to front. Vertical crease along back.

Human, armless form with oval head flattened in cross-section. Face is worn, remnants of nose and incised mouth and eyes. Legs are rounded and flat on interior edges with crease at back of knees and slight expansion at feet. Crease along backbone.

Male or generic form with oval head, flattened in profile. Incised eyes in depressions, nose in slightly higher relief, incised horizontal slit mouth with vertical lines running from nose through mouth. Handless arms, out from body, submerge into body at hips. Feetless legs, rounded to outside, flattened on interior surfaces. Horizontal carving lines on back.

Print depicting four children at centre with arms outstretched: the topmost child has an elongated torso, and the bottom child has a tail fin rather than legs. A woman carrying an infant, a dog, and a goose are on one side of the children, and on the other side are three fish and a goose. Below the image is written, "A Vision of Spirit Children StoneCut & Stencil 39/50 Dorset 1977 Keeleemeeoomee," and the artist's name is written in Inuit syllabics. The printmaker's name is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal at the top right-hand corner. The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.

Print depicting two women in parkas facing one-another, each with babies in the backs of their parkas, and with arms outstretched juggling three brown circular objects each. Two shorter male figures flank the women, and a dog stands to one side with four birds pictured in profile at the bottom of the image. The name of the printmaker is printed in Inuit syllabics with the Cape Dorset stylized red igloo seal in the bottom left-hand corner. Below the image is written, "Eelukitaq StoneCut & Stencil 38/50 Dorset 1977 Keeleemeeoomee," and the name of the artist is written in Inuit syllabics. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.

Print depicting an Arctic owl with its body in profile and its head front-facing. Below the image is written, "Oopik Lithograph 37/50 Dorset 1977 Kananginak," with the name of the artist written in Inuit syllabics. The name of the printmaker is printed in Inuit syllabics along with the Cape Dorset Co-operative stylized red igloo seal on the bottom right-hand side. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the bottom right-hand corner.

Print depicting two Canada geese with black heads, necks and feet, a white chin, and brown bodies and wings. One goose has its head raised and the other appears to be biting the ankle of the first goose. Below the image is written, "Nirlik lithograph 15/50 Dorset 1977 Kananginak," and the name of the artist in Inuit syllabics. The name of the printmaker is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the bottom left-hand corner. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamp are in the lower right-hand corner.