Bronze representation of a Northwest Coast human face mask, attached at a 45 degree angle to a black with white speckled stone base by two bronze screws located on either side of chin; screws fit into holes drilled into base; hammered finish; uneven dark patination. Face is finely defined except eyes, brows clearly delineated, convex eyes, flat nose with defined nostrils; prominent mouth with continuous lip band. On reverse, signed J. David.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.

Silkscreen print of a red hummingbird with profile head facing side on left, frontal body. Head has a long downward curving beak, u shaped nostril; eye ovoid contains a large ovoid pupil which touches at top and bottom of the downward pointed eyelid lines. Circle at top of body contains a partial profile face; elongated u form, with interior split u, attached to bottom of circle, tail attached to base of u form is pointed at lower corner on left and has interior t shape with two crescent shapes on either side; top of legs meld with body at circle, large curled claws at end of legs on either side of tail. Below image from side on left: "78/150 N. Tait Aug '77.'

Male or generic form with crease incision on each side (front and back) indicating arms. Round head with flattened face and wide triangular nose in slightly higher relief. Horizontal incision for eyes and mouth and across bottom front of torso. Bowed legs. Back, buttocks, and backbone are defined by slight indentation.

Print depicting a large mother goose with grey and black plumage, and five smaller yellow goslings. The name of the printmaker is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the lower left-hand corner. Below the image is written, "Mother and Young lithograph 33/50 Dorset 1979 Keeleemeeoomee," and the name of the artist is written in Inuit syllabics. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

Print depicting two igloos, each with a man holding a snow knife protruding out the top and another figure with a snow knife working to the side, two sleds, five dogs, and two women, each with a child in the back of her parka. The printmaker's name is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the lower left-hand corner. Below the image is written, "Building the Winter Camp lithograph 33/50 Dorset 1979 Keeleemeeoomee," and the name of artist is written in Inuit syllabics. The Canadian Eskimo Arts Council and the Cape Dorset Cooperative blind embossed stamp is in the lower right-hand corner.

Print depicting a black bird in flight with its head seen in profile, and its body seen from the top. The bird has white patches on its wings and red legs. Below the image is written, "Pitsiulaq Lithograph 28/50 Dorset 1977 Kananginak," and the name of the artist. The name of the printmaker in Inuit syllabics is printed along with the Cape Dorset stylized red igloo seal in the bottom right-hand corner. The Canadian Eskimo Arts Council and the Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

Print depicting a seagull in profile standing on one leg with the other leg tucked under its body and a yellow beak. Stamped with the names of the artist and printmaker in Inuit syllabics along with the Cape Dorset stylized red igloo in the lower right-hand corner. Below the image is written, "Nanjaq Lithograph 37/50 Dorset 1977 Kananginak." The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

Print depicting a bird in profile with its wings outstretched and textured feathers on its back and wings. The owl has an open black beak and long, curved black claws. Below the image is written, "Young Arctic Owl Stone Cut 42/50 Dorset 1977 Kananginak," with the artist's name in Inuit syllabics. The printmaker's name is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the lower left-hand corner. The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.

Print depicting a winter scene in three levels: the top level depicts four igloos and man on top of each igloo. The middle level depicts five dogs in harnesses pulling a sled. The bottom level depicts five figures with harpoons and lures standing beside ice holes. The names of the artist and printmaker are printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the bottom right-hand corner. Below the image is written, "Qiqqiiviaq Alluaq Stonecut 39/50 Dorset 1977 Jamasie," with the name of the artist written in Inuit syllabics. The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.