Print depicting a stylized bird with red, brown and yellow linear designs on the head, beak, tail, and legs. Brown lines along the outer edge of the wings indicate feathers. Below the image is written, "Bird of Night 18/50 Dorset 1975 (after) Peter Pitseolak," followed by the name of the artist in Inuit syllabics. The Canadian Eskimo Arts Council's blind embossed stamp is in the lower right-hand corner.

Print depicting a red maple leaf above a seven-pointed blue star and flanked by two foxes standing on their hind legs with one paw on the maple leaf. Below the image is written, "Arctic Emblem 18/50 Dorset 1975 (after) Peter Pitseolak," with the engraver's name in Inuit syllabics. The Canadian Eskimo Arts Council's blind embossed stamp is in the lower right-hand corner.

Two male figures in black patterned, hooded parkas holding a yellow narwhale overhead. A black patterned goose stands on yellow mound filled with vertical lines between the two figures. Pencil inscription below image from side on left: '"Narwhal hunters 18/50 Dorset 1975 Kovinaktilliak," artist's name in Inuit syllabics. Canadian Eskimo Arts Council's blind embossed stamp in lower corner on right.

Print depicting a spirit with an animal-like body that has four heads, three wings, and three legs. The top of the print is red, which fades into yellow at the centre, and black at the legs. Below the image is written, "Spirit 9/50 Dorset 1975 Pitseolak," and the artist's name written in Inuit syllabics. The Canadian Eskimo Arts Council's blind embossed stamp is in the lower right-hand corner.

Rectangular print depicting a central yellow and black bird-like figure with a large black head protruding from the top. On either side is a red and black animal standing on its hind legs with its front legs extended; tail hanging down; each are facing the middle. Below image from side on right: Summer Spirits 46/56 Dorset 1975 Pitseolak. Canadian Arts Council's blind embossed stamp and Cape Dorset blind embossed stamp in lower corner on right.

Igloo with seal and fish at entrance; two children, one with sled the other with a rope. Inside: bending figure, utensils, a child, birds, a seal and 3 large patches of colour on a stand. Pencil inscription below image from side on left: lithograph 18/31 Dorset 1975 Lucy. Canadian Eskimo Arts Council and Cape Dorset stamps blind embossed at lower edge on right.

Print depicting a stylized spirit owl figure with a humanoid face at the centre of a blue feathered body surmounted by another humanoid face with two red and black tapering curved protrusions. Two other red protrusions that widen and then taper to a point emerge from the sides of the body. The name of the artist is written in Inuit syllabics above the name of the printmaker, also in syllabics, which is printed along with the Cape Dorset stylized red igloo seal at the top right-hand corner of the image. Below the image is written, "Spirit Owl Stone Cut 18/50 Dorset 1975 Eegyvudluk." The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.

Yellow-brown wood whistle that is circular in cross section and comes to a tapering end and is bound in two places with brown twine, one near the wider end and one near the middle. While the wider end is solid, there is a hollow through the tapering end where there is a taper cut semi-oval hole nearby on one side. Mouth piece is wedge shaped to accommodate a composite whistle.

Pair of adult snowshoes; bent wood frames with (moose ?) hide lacing (untanned). Mid-section wider weave than front and back section. Front cross-baton holds heavier lashing for front toe hold. Back baton also holds lashing. Hide strips wound around sides at mid-section hitch made from 1 inch lamp wick. Back section of shoe frames are nailed together. Tufts of red wool attached to front and sides as decorative elements. Traces of white paint at the front tips of the shoes.

Rectangular basket of skin stretched over a wooden slat frame. Slats are round with strips of cotton and cotton cord. Cardboard is set into the bottom between the skin and the slats. Yellow, orange, and black floral print cotton is stretched over the outside frame and tied with skin strips to the inside of the frame. Two red-patterned, cotton flannel squares are tied to the frame bottom to form a bundling blanket that laces up with a blue and purple wool ? string. Two blue, green, and white floral print, quilted carrying straps, one at each end. Wood handle is looped over the top and tied to the sides by skin strips. A skin and string lace runs end to end and loops over the handle. At the wider end, three items are pinned to the cloth, from bottom to top; a Christian medal, a strip of loom woven beadwork of red, orange, blue, and yellow, and a blue glass brooch.